In Meta Cars, Beni Bischof transforms found images of cars into visual distortions. Through digital manipulation and radical simplification, the original shapes are abstracted—reduced to ghostly and ridiculous silhouettes that feel both familiar and alien. The result: automotive hybrids with an almost hypnotic pull. Drawing on the aesthetics of American muscle cars and the TV shows of the 1980s and '90s, Bischof taps into a retro sense of coolness—reframing it for the digital age with irony, intensity, and unsettling beauty.
Born 1976, Beni Bischof lives and works in St. Gallen. It all started when he began publishing laser-copied artist's magazines in 2005 as an independent means of distributing his drawings, collages, and texts. The speed of production suited his impetuous, prolific output. It was not long before he found an additional, three-dimensional outlet for his obsessions by adding sculpture, painting, and installations to his repertoire. Often using everyday objects, Bischof creates bizarre objects whose coherence he reinforces with plaster and paint. He applies similar techniques of combining, reassembling, and reworking to images appropriated from fashion magazines, trivial literature, LP covers, and the like, overpainting them and modifying them digitally or even mechanically.
Beni Bischof was awarded the St. Gallen Manor Art Prize for the year 2015.