Collaborations / collectives

A collective reflection on cooperative and co-creation artistic practices engaged in the social field.

Powerful instrumental music performed by Robert Rauschenberg, Kat Epple, and Bob Stohl on electronics, and a series of musical metal sculptures called Strategic Structures.

A collaborative 2-CD album by Japan noise legend Masami Akita alias Merzbow and Czech seven-member ensemble Opening Performance Orchestra. The first CD features four folk-inspired Merzbow compositions. The second CD gathers two live recordings of the Opening, made in Tokyo and Prague.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

35 years after the release of their critically acclaimed albumVibrant Stapler Obscures Characteristic Growth the British dadaist group Hastings of Malawi have released a new album—an epic sound poem entitled Visceral Underskinnings. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers.

Juillet features a small selection of Ronan Bouroullec's recent drawings.

This the very first LP of the new collection “Contra Naturam”, a collaboration between Brussels-based contemporary music ensemble Ictus Ensemble and music label Sub Rosa. This audio recording presents a percussion-based composition by Pierluigi Billone, performed by Tom De Cock. Booklet features an unpublished essay by Laurent Feneyrou (in English, Dutch, French).

A collaboration between Toilet Paper and Martin Parr.

A collaboration between Toilet Paper and Martin Parr, in a limited edition, with an exclusive tote bag included.

This publication documents a workshop by Atelier Bow-Wow at the Harvard Graduate School of Design. Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm asked students to create a pencil drawing which would record their considerations on their surroundings. The resulting discussion with professor K. Michael Hays reflected on architecture as a central means of practicing livelihood and on the development of an “architectural ethnography.”

This new record is the re-release of the Belgian cult post-punk band's last cassette tape, reflecting a more raw and experimental side of their work and the beginnings of what was to come. Remastered in 2017.

A collection of rare free-jazz pieces performed by John Zorn and selected by the American guitarist and music critic Eugene Chadbourne. Originally released in 1998 to accompany the book release Sonora: John Zorn, the album is presented here for the first time in an exclusive release in limited edition on vinyl. This special issue includes the original book that features exclusive interviews, essays and photos about the artist's entire oeuvre up to 1988.

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before (limited marbled vinyl edition).

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before.

Limited edition, accompanied with an exclusive Toilet Paper satin scarf.

Originally released in 1979 on the experimental label Cramps, I Fiori del Sole is a composition for organ and piano by the Italian duo Michele Fedrigotti and Danilo Lorenzini. This is the first vinyl reissue ever.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

Italian electroacoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album. Captured live over the course of a four days improvised session, the album floats between ghostly melodies, musique concrète, and analog electronics.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

Born from the collaboration between the Australian musician Hugo Race and the Belgian violinist Catherine Graindorge, the music of LDO is an intensely atmospheric dreamweave of violins, electronics and Hugo's darkly evocative voice. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context.

French duo Paradis Noir (Jefferson Lembeye & Olivier Le Borgne) is influenced by both the writings of Malcolm Lowry and the music of PIL, Joy Division and the Velvet Underground, as well as electro-industrial music. Thomas de Pourquery, Black Sifichi and Élise Caron collaborated on this unique album produced by Norscq. The picture disc reproduces two paintings by Tom de Pékin.

In September 2015, Japanese legend Keiji Haino played with two of Belgium's most active and valued musicians: keyboardist Jozef Dumoulin and drummer Teun Verbruggen. The Miracles Of Only One Thing is a deep and intense testimony of this meeting.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

First reissue of the 1981 album by the legendary Hastings of Malawi featuring a founding member of Nurse with Wound and Pat Simmons. Reissued on red vinyl, like the original pressing, this classic masterpiece sits on the end of a line from Dada through the Situationist International to punk rock.

Recordings of musical performances by Blondes, James Campbell, and I.U.D, inspired by paintings shown at Wade Guyton's exhibition at Kunsthalle Zürich in 2013. Acting as a catalogue, this edition includes 4 vinyl LP and a modelling of the exhibition installation.

New CD edition of a classic from Sub Rosa's catalogue.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

The 2017 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

In 2015, musicians Urs Leimgruber, Jacques Demierre and Barre Phillips gave a series of concerts on both sides of the Atlantic with their band LDP as part of the “Listening” Tour. Listening is their tour's logbook and gathers memories, anecdotes, thoughts and pictures.

Two different approaches—the Eastern and Western—to Persian instrument Santur, by musicians Hossein Malek and Leo Kupper.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Built by the design collective Metahaven, the project Black Transparency questions how information is organized globally and what role the concept of transparency occupies within it. This book engages transparency's junctions with design, architecture, and pop culture through Metahaven's research on technology, structures of information, networks and the Internet.

A limited edition publication of 1000 copies, with Toilet Paper watch included!

This reader brings together the first 8 issues of Postdocument, the magazine on exhibition photography.

This publication documents a collective project conceived by artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi, which takes the form of an experimental platform, working as the extension of an artistic community based in Thailand. This large-scale installation explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.

A fluid narrative of Lacaton and Vassal's oeuvre based on the duo's lecture at Harvard University in 2015.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.