Art history

A comparative history of the ruins from the ancient East to the modern West.

Artists' book history.

Avant-garde in Italy between 1968 and 1976.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

A previously unpublished text by Gilles Deleuze on Francis Bacon, with a set of contemporary readings of his Deleuze's writings on art, by philosophers and theoreticians of the various disciplines addressed (literature, cinema, music, art history...).

Nonprofit collective organizations in the 1960s-1970s.

A text by Christof Migone on a history of sound art and its relation to performance.

A collection of texts, most unpublished in French.

A collection of mostly unpublished essays, notes and letters which shed a new light on Warburg's last studies.

A sourcebook on serial publications.

A comprehensive overview of Kantor's versatility, from his theater productions and actions to his painterly and sculptural works.

The "Mnemosyne" of sexual identity.

These Ruins You See shifts between politics, history, heritage, and identity in an attempt to find, in the present, the vestiges of archaeological practice in Mexico.

A collection of conferences for an exibition.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

Richard Huelsenbeck's En avant dada is his first proclamation of Dada in Berlin.

The fourth and last poem by Kippenberger, written several days before his succombed to illness. A short letter of adieu, with two portraits of the artist by Elfie Semotan.

Reproduction of the artist's book published in 1975.

“Reading” of the famous Artemisia Gentileschi (1593-1633) painting Judith et Holopherne by contemporary artists(Buren, Kosuth, Paolini, Sonneman, Twombly...); texts by Roland Barthes, Eva Menzio and Léa Lublin.

Hartung's early watercolor works on paper (33 tipped in full page color illustrations, under boxset).

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia...

An essay on the birth of artistic manifestos in the 19th century, from Jacques Louis David to Gustave Courbet.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the twentieth century which responds more than ever, twenty-five years after its first publication, to the need to decolonize the knowledge.