Situationist International

An analysis of the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959, and of the Situationist International's ambivalent relationship with the format of the exhibition, the museum and the institution.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

A journey covering several episodes of Situationist International.

A courtly tale that takes the form of prose poems, dedicated to Surrealist artist Benjamin Péret. Written by Emmanuelle K., poet, storyteller, video artist, and companion of the Situationist International.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

The first survey of text works by artist Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, film scripts and reflections on the role of the artist to essays on art for children and the link between light and wealth.

Monographic catalogue structured around installations by Vincent Meessen which examine the influence of the Situationist International in Sub-Saharan Africa, notably through figures such as Lungela Diangani eand Omar Blondin Diop. This richly illustrated book documents both the IS's relationship with the African continent and the artist's discursive, collaborative and para-curatorial activity of the past four years.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

A collective reflection on the historical stakes of French avant-garde movement Lettrism.

Analyzing the theoretical and aesthetic thought of the founder of Lettrism in the intellectual context of the post-war and up to 1968.

The use and status of literature and arts in Guy Debord's thought.

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

Ultimo Cielo documents a musical project forming part of the New Patrons program: a piece for an amateur orchestra inspired by the works and practice of Italian Situationist painter Pinot Gallizio.

This substantial monograph gathers reflections on Ane Hjort Guttu's recent film projects and offers insight into the artist's work and methodology, and the potential of art as a critical and political tool.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

First major monograph dedicated to the French collective.

A new approach on the Situationist International and its paradoxical myths.

New edition of the Letterist manifesto.

New edition of the Letterist manifesto, with an original artwork of inter-participation, consisting of a photograph torn by the artist and inserted in an envelope.

An historical account of walking as an artistic practice inside Surrealism, the Situationist International, and Fluxus.

Exploring the relationship between the Situationist International and the museum.

Theory, Spectacle and Film in the thought of Guy Debord and Raoul Vaneigem.

First publication dedicated to Isou's extensive work with hypergraphics.

Essays and interviews on 20th century avant-gardes in France (from Dada to sound poetry, avant-garde reviews, happenings and events, Fluxus, Raymond Hains, Jacques Villeglé, Gil J. Wolman, Camille Bryen...).

A new perspective on Situationist International, with unreleased documents and texts by Beaudrillard, Agamben, Hirschhorn, Sloterdijk, Obrist...