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Yayoi Kusama - Performance & environnement - 1962-2000
2001
French edition
Les presses du réel – Contemporary art – Monographs
sold out
Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.
Nobuyoshi Araki - Tokyomania
2000
trilingual edition (English / French / Japanese)
Mennour
sold out
Otomo Yoshihide - Re/cycling Rectangle (vinyl 7\
2000
Rectangle
sold out
The Rectange label "recycled" by Otomo Yoshihide.
Martin Parr - Japonais endormis
1998
French edition
Galerie du jour agnès b. - Monographs & artists' books
sold out
Artist's book.
On Kawara - Whole and Parts - 1964-1995
1996
Les presses du réel – Contemporary art – Monographs
sold out
A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.
On Kawara - Word for Word - The daily images of power: On Kawara from day to day
1979
bilingual edition (English / French)
Yvon Lambert - Word for Word
sold out
Portrait of On Kawara by René Denizot.
2027
French edition
Les presses du réel – Avant-gardes – Délashiné!
forthcoming
A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.
2027
trilingual edition (English / Spanish / Japanese)
KBB
forthcoming
The first comprehensive overview of the work of the Argentine-Japanese duo, which builds a unique bridge between Latin America, Europe, and Japan.
2026
French edition
Les presses du réel – Music & Sound Arts – Délashiné!
forthcoming
The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.
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