France

Baptiste Brévart and Guillaume Ettlinger discuss with Julie Sicault Maillé their artistic practice as a duo.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

David Hominal breathes new vitality into the exercise of still life, through a series of paintings of dead leaves.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

Le Zoo vidé ("The Emptied Zoo") is an artist's project about large land mammals that Agnès Rosse went to visit in zoos, in their natural environment and at the National Museum of Natural History: a protean set of texts, videos, drawings, paintings and objects made in various places between 2009 and 2018.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Edited from the composer's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante (1973).

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

With six songs in forty-five minutes, Blend The Horse! adds new influences (Broadcast, Radiohead, Tropical Fuck Storm) and brings together opposites dear to The Snobs: electric and electronic, melodic and hypnotic, noisy and pop.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

One of Ghédalia Tazartès' final recordings, with Rhys Chatham, in 2018-2019.

In an echo to appeals in the collective exhibition Ubuntu, a Lucid Dream—calls for revolt, as well as for wisdom and reparation—this issue of the magazine Palais is published on the occasion of a season of exhibitions at the Palais de Tokyo, which foregrounds artists whose practices cross borders and restore the capacity for action, to ideas, forms, and cultures which are more nomadic than static.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The report of a collective and immersive residency at the Lyon Museum of Contemporary Art.

The translated transcripts of two radio broadcasts by Artaud: To have done with the judgement of god (1947-48) and Madness and Black Magic (1946). Correspondences from that period are also included.

Two of Antonin Artaud's foremost poetic works from the last period of his life.

A series of recent paintings by French artist Marion Bataillard.

The last part of the photographic inventories that punctuate Babeth Rambault’s work.

Retrospective monograph, highlighting the work of the French artist-photographer Natacha Lesueur over a period of nearly 30 years.

Spanning 1966-1993, Mémoire Magnétique Vol. 2 is a revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani.

15 years of conversations between Caribbean philosopher Édouard Glissant and his friend Hans Ulrich Obrist.

An initiatory drift through the complex, multiple and singularly innovative sound art of Frédéric Acquaviva.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

The Italian edition of Flaubert's account of his trip to Egypt, illustrated by Nathalie du Pasquier.

Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.

Bernard Chambaz, Bertrand Dezoteux and David Redon review the complex history of the construction of the Guiana Space Center, the French space launch base in Kourou, in the 1960s.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Algorithm as material and writing.

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

Reference monograph: a selection of 320 works, 30 texts and interviews, 150 archive photographs.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

First monograph on artist and photographer Aurélie Pétrel.