Anthologies

The prospects of revolutionary feminism, from Želimir Žilnik's canonical film.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

An original multidisciplinary study of the text-image pair in its political dimension, from the militancy of the early twentieth century to the struggles for "visibility" of minorities.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene (Vito Acconci, Matthew Barney, Rhys Chatham, Tony Conrad, Henry Flynt, Milford Graves, Christian Marclay, Phill Niblock, Suicide, Michael Snow, Tom Verlaine, Yo La Tengo...).

How the organization of time structures the creative process and more broadly our relationship to the world.

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

This publication brings together some of the most representative authors of Saudi Arabian poetic modernity, in its widest scope. Translated by the Tunisian poet Moëz Majed, it is the first anthology of contemporary poetry from Saudi Arabia to be published in French.

A journal of critical and political poetry.

Stronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments.

The collection of writings on art by the French philosopher, historian, semiologist and art critic Louis Marin (1931-1992).

An anthology.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

An anthology of the artists' zine.

A tribute.

Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.

The collected reviews and interviews of art critic, curator, and artist Christian Egger.

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

The first ever anthology of feminist poetry from Russia.

A wide-ranging collective reflection on the philosophical legacy, current resonances and historical articulation of May '68 and the Prague Spring (contributions by Jacques Rancière, Étienne Balibar, Michael Hauser...).

This volume focuses on all of Emmanuel Hocquard's activities, in order to highlight his importance, and to situate him in a history of contemporary poetry in which he was one of the main protagonists.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973. This limited edition, numbered from 1 to 20, contains a signed collage.

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.

The collection of essays on art by the philosopher and critic Boris Buden constitutes a history of post-communism studied through that of works of art.

This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew.

Heterogeneous approaches to legal criticism.

An anthology of both newly commissioned and reprinted essays, as well as interviews and fiction that reflect on performance today.

An anthology of texts by the influential American critic and curator. The publication includes essays on artists, exhibitions, and curating, catalogue texts, and interviews.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

The research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.

A collection of essays and interviews that provides an ideal introduction to Alain Badiou's thought.

An anthology.

Jean Laude's writings on art.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

An eclectic musical journey through Latin American experimentalism.

A journal of critical and political poetry.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

Coiled Verbal Spring: Devices of Lenin's Language brings together the first English translation of the Russian Formalist and Futurist writings on Lenin's revolutionary language, one of the most interesting projects of political Formalism and avant-garde theory in the twentieth century.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.

This book, the first major publication in English devoted to the Korean critic and art historian Lee Yil (1932-1997), is a collection of texts on aesthetics, theory and history of art by the main observer of “Dansaekhwa”, or Korean monochrome. It also brings together essays and monographic prefaces that gave wide coverage to artists who had been active from the end of the Korean war up until the mid-1990s.

Crossing perspectives on performance acts within the discursive space of contemporary art.