The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.
The “Scenario” issue investigates narrative and speculative processes within both poetic and political fields (science fiction, geopolitics, universal and colonial exhibitions…)