Hans Hartung always gave a lot of attention to the filing of his works. This essay on the abstract painter is linked with a specific web site where one will find a rich iconography and documentation.
John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.
This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.
A collection of artist's writings about literature, semantics, dreams, poetry, photography... (limited edition accompanied by a hand-enhanced photograph).
A study, by five women, on the artistic representations of the female body (essays by Chrystel Besse, Marie-Joseph Bertini, Arlette Fontan, Françoise Gaillard, and Elvan Zabunyan).
A study, by five women, on the artistic representations of the female body (essays by Chrystel Besse, Marie-Joseph Bertini, Arlette Fontan, Françoise Gaillard, and Elvan Zabunyan).
Baselitz returns on his own history and on his conception of the painting, on self-portraits, inversed paintings, his reference artists, German painting...
Les presses du réel – Avant-gardes – L'écart absolu (Absolute Gap)
Bernard Réquichot is well enough known as a painter, but still unknown as a writer. This new posthumous publication of his writings reveals the singular vision of a recluse, close to Stirner.