The Trial is an extensive publication chronicling the decade-plus-long evolution of one of Rossella Biscotti's seminal works, focusing on the trials of members of the revolutionary left-wing movement Autonomia Operaia in the early 1980s, an emblematic judicial drama of Italy's Years of Lead.
Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.
A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.
The catalogue published on the occasion of Navas' first institutional exhibition continues her research on art and design, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas. A collection of photographs the artist received from friends and acquaintances provides an insight into how her work is influenced and understood by others under the motto “I had to think of you”.
First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.
The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.
In 2011, Damien Beguet and P. Nicolas Ledoux purchase the name of artist Ludovic Chemarin after he decided to end his career in 2005. Since then, they have been exploiting his name through exhibitions, conferences, and interviews. This monograph gives an overview of the project, gathering exhaustive documentation and essays from critics, historians, and lawyers.
How the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation.
Les presses du réel – Philosophy / politics – L'écart absolu (Absolute Gap)
Proudhon's book against rights of ownership for authors, and collection of the most significant contributions toward the original debate over literary property..
Six great pop standards remembered: five pop songs are dissected by the duo of Helmut Schmidt and Jan Jelinek's sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original.
A fragmentary reference volume that explores the chronology of architecture-relevant legislation, focusing on Zurich, but looking at controversial legislation across Switzerland.
This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.
A study in which Thomas Keenan and Eyal Weizman discusses the way that forensic investigation and identification of Joseph Mengele's remains marks a transition, giving way to an "era of forensics", in which things—such as bones—act as the witnesses of past events.
