Design

Studio Manuel Raeder's 2025 sticker calendar.

The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

Centered around the themes of latent knowledges, earth uprisings and borders, this second volume in the Radical Rituals series is the result of a research residency carried by forty five degrees collective in the summer of 2022 across France, from 45°N 1°W to 45°N 7°E.

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.

How AI can be used in the creative process in art and design.

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry, looks at the cut.

The collection of Francis Meyer, one of the finest private collections in Europe of Art Nouveau glass works.

Ronan Bouroullec's first comprehensive monograph, bringing together his drawings, sculptures and ceramics, and design objects and projects.

A collective reflection on the ability of objects and design to contribute to survival and protection against disasters, based on an examination of the phenomenon of “preppers”.

A collective reflection on the ability of objects and design to contribute to survival and protection against disasters, based on an examination of the phenomenon of “preppers” (also available in English edition).

A "minor" and alternative history of architecture.

The inaugural issue of Flash Art's yearly review dedicated to design at large and an in-depth analysis of market relevant issues, titled Anti Composition, provides an aesthetical upgrade at world scale sources and phenomena (featuring Michael E. Smith; Peter Fischli; Anne Imhof; Paride Maria Calvia; Armature Globale; Joshua Brinksman; Mishima House, Tokyo; Winter House, London; Hopkins House, London; Wolf D. Prix; Bruce Graham Residence, Chicago; Sci-Arc, Los Angeles; The Met, New York; Scad Museum Of Art, Savannah; Bottega Veneta...).

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

Ronan Bouroullec's daily drawings.

The 13th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

The "deconstruction" of design, between practice and reflection.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

An overview of the use of textile in contemporary visual arts around the world.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The glass as a listening device.

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

An anthology that gathers a selection of furniture and lamps designed over the years by the Italian architect Massimiliano Locatelli.

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

A selection of images from the workshop on artificial intelligence organized at the Saint-Étienne Higher School of Art and Design.

An insight into the exhibition designed by designer Guillaume Bloget for the Cité du design, and his entire approach.

Through a selection of commented images and previously unpublished archives, this book devoted to the dach&zephir designers highlights the questions they ask about forgotten, neglected or erased knowledge and history.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

Bom Dia's new Agenda offers a different font designed by Studio Manuel Raeder for each month. It provides you with a fun way for new beginnings and to take notes and make sketches. This years Agenda can function on a daily basis as a notebook, or be used for hanging as a wall calendar.

A series of astonishing photographs by the Italian architect and designer, discovering China at the end of the Cultural Revolution, between millenary traditions, openness to the world and forced modernization.

For the fourth book in the In Practice series, Dyvik Kahlen architects explore the design process of the Villa Ruba, located near Utrecht.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

A previously unpublished collection of 60 ink pictograms by the early progenitor of the artist's book genre (new edition).

A musical version of legendary Italian designer and artist Enzo Mari's rare book The Function of Esthetic Research (1970), singed by a computer-aided software.

The 56th issue of the design research journal, devoted to the question of writing in design practices.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).