Music > experimental / contemporary / electronic / electroacoustic / improvised music

This first monograph in French on the Swedish artist Lars Fredrikson, situated at the intersection of art history, sound studies, and media studies, seeks to shed light on the distinctive features of his work by highlighting its dialogue with the history of painting, kinetic and electronic arts, music, and sound practices in art, as well as the epistemologies and material cultures of science and technology.

Led By Donkeys, Kenneth Goldsmith, Annette Gilbert & Andreas Bülhoff, Silvio Lorusso, Jasia Reichardt ephemeral's archive, Active and emancipatory publishing in France: the cases of Déborder Bolloré and WHOISBN, In the Aspyxiating Culture of the Total Library, Transmediale 2026 + Echoes of Tumult exhibition, Screentime/s; The Lure of the Image...

A collective reflection on the key role that creative uses (and appropriations) of new technological tools play in the evolution of musical and sound practices and cultures.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.