A single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes.
Seven meditations for clarinets, pianos and electronics: The Long Exhale catalogues psychoacoustic experiments and sparse acoustic excursions undertaken between 2014 and 2015 by Australian composer/performers Anthony Burr (clarinets, ARP 2600) and Anthony Pateras (piano, prepared piano).
A confrontation between contemporary art, Aboriginal imaginary and prehistoric legacy (with works conceived especially for the project by fifty international artists).
The first comprehensive monograph on London-based Australian artist David Noonan, this book offers an overview of his work and is accompanied with texts by Michael Bracewell, Jennifer Higgie and Dominic Molon.
The first book of poems by art critic, artist, musician, and curator Dominic Eichler. With illustrations by Nairy Baghramian, Julian Göthe, Shahryar Nashat, Henrik Olesen, and Danh Vo.
A novel inspired by a year in the life of Richard Dadd, a great Victorian painter and inmate of London's Bethlem Hospital – more commonly known as Bedlam.
Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.
The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.
Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”
Born from the collaboration between the Australian musician Hugo Race and the Belgian violinist Catherine Graindorge, the music of LDO is an intensely atmospheric dreamweave of violins, electronics and Hugo's darkly evocative voice. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context.
The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.
