Art & craft / “applied arts”

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

A collective exploration of the relationship between contemporary art and archeology.

An overview of the Canadian designer's creative process.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

This book uses the production of some twenty international creators to discuss methods of transforming metal in contemporary design.

A film by Gilles Coudert and Damien Faure about the stained glass windows made by Kimsooja for the Metz Cathedral: a dialogue between contemporary art and cultural heritage and between Eastern and Western thought.

A community project initiated by the renowned Indian photographer with Adivasi papier-mâché artists from the Kokna and Warli tribes in Palghar district, India.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

The new meaning of craft.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

The manufacture of contemporary art objects.

The second issue of the annual review of the École des arts décoratifs de Paris, devoted to the question of the vulgar, explores through creations, portfolios, interviews, fictions and theoretical texts the polysemy of this word which embodies all the tensions of our time.

Four artist's posters.

Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program "without students or teachers."

A sort of anti-monograph in several episodes proposed by the artist Simon Nicaise around his project of Tour de France of trades and practices.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

45 low tables imagined by as many architects / designers from personal objects of fascination.

Retrospective monograph.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

The history of Arabic calligraphy.

First issue of the annual review of the École des arts décoratifs de Paris, devoted to the challenges of contemporary decor.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Artist's book / monograph.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

French edition of the compelling narrative that goes behind the scenes with the world's most important living artists to humanize and demystify contemporary art.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Olaf Holzapfel's and Guido Yannitto's textile works.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers.

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

First comprehensive monograph.

Artist's book.

The sixth issue of the annual magazine mixing graphic design, publishing and architecture is devoted to the double theme of “Minimal & Maximal”.

Catalogue of the double exhibition devoted to the Pattern & Decoration movement, with numerous previously unpublished archives.

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).