Contemporary art

This book is an overview of the exhibition program of Bart van der Heide from 2010-2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images (with Silke Otto-Knapp, Tobias Madison, Keren Cytter, Willem de Rooij, Richard Tuttle, Simon Denny, Rebecca Warren...).

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Shanghai special issue.

Artistic and literary creations on the theme “cyborgs and robots.”

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

New monograph.

First monograph.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.

Canadian native art today

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

Collection of poems gathering texts on similar subjects, such as the unknown, violence and war, technology and information, phylogeny and the ontogenesis.

A collection of texts by philosopher and essayist Gilles A. Tiberghien devoted to landscapes and gardens (new expanded edition).

Our computers' artistic taste, Anri Sala's show at New Museum, re-opening the Louvre after the Paris attacks, Neïl Beloufa on world domination and in-flight entertainment systems, the future of Brooklyn and the dangers of sawdust, Chantal Akerman's rent-controlled Manhattan, the curatorial skills of Brazil's tax police, reviews from New York, Oslo, and Warsaw, a portfolio by Mathieu K. Abonnenc...

Robert Longo, Vanessa Beecroft and Katy Grannan on the notion of “superimages”, cult magazine Colors, Neïl Beloufa, Isa Genzken, Louisa Gagliardi, Jon Rafman, Josh Kolbo, Gaea Woods, interviews with curator Pierre Bal-Blanc, design studio Vier5, Isabelle Graw, and the Printed Matter team, the social role of art, sexual politics, Carson Chan in conversation with Nik Kosmas, Matt Copson, Kenny Scharf, Sylvie Fleury, a collectable poster of David Bowie by Scott King...

Since its inception, Spike Art Quarterly stands for independent, critical reporting on the arts, and provides the current cultural debates with emerging artists and leading writers. Thisissue looks for political alternatives and resistance into the art world, and includes discussions between Claire Fontaine's Fulvia Carnevale, Rory Rowan, Constant Dullaart & Toke Lykkeberg, portraits of Tobias Madison, Barbara Kruger and Omer Fast, an interview with Armen Avanessian, Liam Gillick on the British documentary filmmaker Adam Curtis, Chus Martínez on the role of art in generating new cultural forms...

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

A portrait of painter Max Schoendorff through a long-lenght interview, a collection of writings and paintings, and a sketchbook.

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

Essays about the work of Victor Burgin.

A second volume of essays by Thierry de Duve dedicated to the form of speech known as the address. Along with theoretical texts, the authors addresses prestigious interlocutors (Jacques-Alain Miller, Benjamin Buchloh, Marie-José Mondzain, Jean Clair, Jean-François Lyotard, Herman Parret, Mieke Bal, Daniel Arasse).

A collection of texts by Robert Lebel on surrealism.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Reissue of a booklet from 1981, this suite of drawn charts and diagrams was originally published to accompany the films of Rat and Bear—Fischli & Weiss fictional alter egos, and symbols of Western culture's faith on contraries.

The big book of the LAC (Lieu d'Art Contemporain), the first private cultural center of the Reunion Island and an essential artistic place in the Indian Ocean.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

Three films on the art of copying & the works of painter Jean-Baptiste Chardin.

Decadence and De-facement by Sabrina Tarasoff, Marc Camille Chaimowicz, The Importance of Being an Influence (by Jens Hoffmann, Ryan Gander, Camille Henrot...), Sunset Décor by Magalí Arriola, Lothar Baumgarten, The Public Life of the Imagination by João Ribas, Robert Grosvenor by Hans Ulrich Obrist, Forget About the Middle Class by Chus Martínez, Ceal Floyer by Christian Jankowski, Nevine Mahmoud, Henning Fehr and Philipp Rühr, Jessi Reaves, Lucas Arruda, Ana Vaz, A Study in Petulance by Michael Turner...

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

A collection of monographic texts and essays by the artist.

A collective publication on Jean Genet and the arts.

Featuring: Jeremy Rifkin, Sabine Rabourdin, Mounir Fatmi, Tidiane N'diaye, Arthur H & Loulou Picasso, Messieurs Delmotte, Tobie Nathan, Jean-Paul Curnier, Anaïs Nony, N.-.D.-des-Landes, Zapata an the state of Chiapas, Papuan people, original comics from Camille Lavaud, Martes Bathori, Philippe Lardy...

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

Thirty-seven texts by Tom Burr.

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

Following on from the duo's continual playful and dystopic depiction of the human condition, Fine Arts brings together the collection of over ninety watercolors inspired by images found on the Internet.

This publication describes the making of a multiple-screen video installation made by Mario Pfeifer while living on Navarino Island, Chile. This anthropological film looks at the life of the descendants of the area's indigenous Yaghan people, and portrays a nation and community that is violently undergoing cultural and religious, social, political and economic transformation.

Designed by the artist in collaboration with the graphic studio S-y-n-d-i-c-a-t, Fouad Bouchoucha's first monograph gathers a selection of his works along with four essays and an interview.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

This “book-object” prompts the reader to piece together a fragmented narrative comprising texts and pictures to color, to copy, to associate…

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

An iconographic and analytic portrait of artist Pascale Weber's singular practice.

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

Issue 31 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Christina Iglesias, Shreyas Karle, Peter Buggenhout, Nikolaus Gansterer, Diego Tonus, Olafur Eliasson, Araya Rasdjarmrearnsook, and Ben Kinmont.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).