Music

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

An essay by the French composer that provides some perspective on his musical concepts and formulates his vision of music and society.

Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991.

Facsimile scores and documents about the creation premiered on 28 February 1977 at the Palais des Arts, Paris, by Bernard Parmegiani.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

Exhibition catalogue.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

This issue proposes to examine some of the points of contact between music and hacking.

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

Cloud Atlas is a collection of 10 short pieces composed by Toshi Ichiyanaghi between 1985 to 1999. Vertical Study gathers rare pieces composed by Claude Ledoux. Both are performed by Japanese pianist Kaoru Tashiro.

Maria Beltsikova and Tatiana Dordzhieva are two Kalmyk folk musicians, named after the Mongolian descendants living in Russia. This compilation gathers traditional Kalmyks songs (about the deportation of the Kalmyks in 1943-1944) and Soviet folklore.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro (limited marbled vinyl edition).

These recordings performed by pianist Philip Thomas reveal Wolff as a composer fully exploring, in different ways, the continuum between music which is highly fragmented, embracing extended silences—composed or indeterminate—to that which is more progressive and seemingly driven, albeit taking in disarming and unconventional routes.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

The soundtrack of an interactive project around phantom islands—islands that appeared on historical maps but never actually existed. A collection of fictitious soundscapes, between field recording and exotica music.

A 4-hour work recorded at Steamroom (composer's studio) between 2017 and 2018: a hypnotic, multi-faceted, labyrinthine piece which flows as slowly as a river while speeding back through memory, and shows all the talent of Jim O'Rourke.

Coéditrice : Rachel O'Dwyer ; entretiens avec Pip Thornton, Joana Moll, Mendi et Keith Obadike; ASurveying Surveillance Capitalism, Decode: Data Cooperatives, Our voices granted to machines ; Transmediale 2019, Master/Slave exhibition, Leonardo 50 years anniversary...

Artist's book.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

A socio-political history of punk and post-punk covering four decades and three continents.

The definitive edition of Loren Connors' texts.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, produce one and the same complex sound material, a homogeneous and multiple sum, advocating a freedom nestled in the interstice of notes.

Joëlle Léandre (double bass, voice) and Alexandra Grimal (saxophones, voice) compose, improvise and underline the freedom of musical creation.