First monograph.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

Retrospective monograph.

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

The Polish artist's memorial archive traces a history of homosexuality and queer culture in Eastern Europe and opens up possibilities for the future.

A poetic and scientific meditation on the artist's iconic cinematic installation exploring post-human mythologies, future archaeology, and the invisible structures that enfold us, from the cosmic and geologic to the ecological and political.

The first comprehensive monograph of the highly accomplished Albanian artist Edi Hila.

The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

New monograph / catalogue.

A selection of drawings from the Belgian artist's extensive corpus.

From Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, Deux Soeurs brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.