This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

A selection of drawings from the Belgian artist's extensive corpus.

From Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, Deux Soeurs brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

First monograph dedicated to British filmmaker and video artist Stephen Sutcliffe. Including commissioned essays and an interview with the artist, At Fifty examines over twenty years of film collages practice, delving into Sutcliffe's extensive use of television archives and critical reflection on British cultural identity.

Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years.

A series of drawings considered the starting point of the artist's mature work.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

A body of research that focuses on the fragility of memory and the potential for its preservation, defying the gradual breakdown of matter through the effects of time.

New monograph.

Prototypes by Doireann O'Malley is a multi-screen film installation, a series of dreamscapes interrogating trans* semiotics through psychoanalytic practices, speculative technologies, and live action role-playing. O'Malley's work references scientific and medical investigations into the human psyche that address wider philosophical concerns relating to biology, gender embodiment, sexuality, utopianism,  and biomolecular advancement in human evolution.

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book, commenting on media's continuous changes of form and format. Through an interplay of theory and artistic research material, the book extends Judy Radul's ongoing investigation of media with an idiosyncratic perspective on television—while still feeding off collective experience. The book thematizes television as a cultural container, both in its format as a box for content and as an ideologically saturated apparatus for reception.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.