Contemporary art

Cindy Sherman's first catalogue.

An interview between the philosopher René Denizot and the artist Giulio Paolini.

A long interview between the philosopher René Denizot and the artist Robert Barry.

Portrait of On Kawara by René Denizot.

Five by seven, nine works by Richard Tuttle for Yvon Lambert.

A critical text on Niele Toroni's work, with exhibitions views and documents.

Artist's book.

Vinyl EP record.

1970 artist's book: Buren explains and positions his work with commented plans.

Hartung's early watercolor works on paper (33 tipped in full page color illustrations, under boxset).

First volume of the great reference monograph conceived and designed by the artist, offering a glimpse of Vasarely's graphic period.

First volume of the great reference monograph conceived and designed by the artist, offering a glimpse of Vasarely's graphic period.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record (available in English edition).

Reference monograph, with texts, sketches, and scores by the artistes, and some musical exemples on a 45RPM vinyl record included.

Artist's book: a series of procedures to follow, which substitute for all forms of religious and ideological injunction.

Artist's book: a series of patterns drawn from the library of a vectorial drawing software, homothetically reduced to the dimensions of the book to rectangles of different sizes, laid out over the pages as in an urban map.

Artist's book: compositions with borrowings, alterations, quotations as well as original propositions, functioning on a binary mode.

Artist's book: 37 Christs photographed in as many Roman churches.

Artist's book: a selection of patterns cut out from fashion magazines, details of clothes, accessories, as well as figures, landscapes, words.

Artist's book: 37 foodstuffs photographed in high angle shots, lit by electric light.

Artist's book: portrait of a young soldier reproduced exactly on each page of the book.

Unpublished text, signed original screenprint.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

A historical and thematic book that aims to tell the adventure of the Casablanca Art School, through a polyphony of stories, experiences and actors.

This first monograph invites the reader to explore the fascinating universe of Czech artist Vojtěch Kovařík, who paints surreal worlds populated by figures from classical Greek and Roman mythology.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

A history of avant-garde photography in Japan in the 1950s-70s.

A critical history of VideoArt Festival Locarno.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

A collection of critical, polemic, and personal essays composed in the past decade.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

The posthumous autobiography of Harun Farocki (1944-2014).

New monograph of the Beninese painter.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The first issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

Meeting between dance and visual arts.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

First monograph.

A book that brings together 150 portraits of artists when they were "about" five years old.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the twentieth century which responds more than ever, twenty-five years after its first publication, to the need to decolonize the knowledge.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.