Contemporary art

An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

First monograph of the Finnish painter: a series of troubling family scenes whose deviance shines through under a veneer of normality, obscure and disturbing images that appear like reminiscences of a childhood marked by drama and war, never far from the living room.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

A collective project around the Vietnamese and Asian artistic diaspora, on the theme of cultural identity in the post-migration society.

Conserving the Future is the book that bears witness to twenty-five years of curating contemporary art in the same place: the Fondazione Querini Stampalia in Venice.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

A symbolic and political science fiction short story written in four languages.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

A brand new body of recent works by the French painter.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

The temporal dimension of the image.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

An multidisciplinary approach of the war by its traces.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

Zone to Defend in Germany, the opera in Odessa, investigation on the lost trilogy of Abdellatif Kechiche, the end of dancers' careers, the artists in the ready-to-wear, interviews with Mariana Enríquez, Tiphaine Raffier, Bertrand Bonello, Fatima Ouassak, Núria Güell...

The return issue of Luvah journal, after a long absence, on the theme of power relations.

Michael Snow, Hrair Sarkissian, Klára Hosnedlová, Unvanquished: Iraq's art under two decades of occupation, Dark Matter: Pierre Soulages and Pierrette Bloch...

The first comprehensive monograph on the Romanian-born, UK-based artist Paul Neagu (1938-2004), whose oeuvre transcends traditional artistic disciplines, and who was for several decades an important source of inspiration for young artists, curators and intellectuals.

Ronan Bouroullec's daily drawings.

The subject of this and the following books in the Spekulationen series is Peter Piller's approach to Stone Age art and its presence in his daily life. This volume presents four hundred and nine photographs found in publications on prehistoric art.

The second volume of the artist's book series dedicated to Peter Piller's field of research of prehistoric cave painting features Piller's own drawings.

What comes after end-of-world narratives: visions of just futurity and multispecies flourishing.

A collection of Dan Graham's interviews and conversations with a wide array of individuals from various backgrounds and disciplines.

First monograph.

On the aesthetic and intellectual affinities between recent art and conspiracy.

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

85 minutes collection of previously unpublished recordings made at the Friedrichshof commune between 1982 and 1990. Performed by Otto Muehl and members of the commune. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

A record resulting from a 12-hour participatory performance by the Danish collective.

In the 17th issue of the critical review on contemporary drawing: interviews with Mira Schor, Katrin Ströbel, Paul Maheke, Éric Watier, Kamil Bouzoubaa-Grivel; the Ramo Collection; unpublished drawings by Ulla von Brandenburg; shared drawing by Laurence Schmidlin; Ghérasim Luca by Alexandre Leger; articles on Ketty la Rocca, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Natalia Jaime-Cortez; artistic contributions by Sylvie Sauvageon, Olivier Garraud, Nicolas Aiello and Sally Bonn...

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

Both a conference proceedings and an exhibition catalogue, this publication looks back at the career of Denis Briand, artist and university professor, who died on 23 April 2018.

An artist's book on photography, cemeteries and museum archives.

Retrospective monograph.

In Reto Pulfer's novel, the artist draws a rich picture of a community of hybrid living beings. Characters and scenes from the novel also appear in the works and exhibitions of the artist. A multi-layered cosmos of links emerges and takes the reader into a parallel universe full of references to our current relationship with nature.

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

An overview of the Pakistani artist's practice over the past 15 years.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

A dive into the world and studio of French artist Adrien Vescovi, whose textile compositions are thought and composed like paintings, both monumental and vulnerable, subject to the natural elements and impregnated with the places where they are exposed.

François Mangeol appropriates Michel Houellebecq's Sérotonine and reduces it to only the letters representing the chemical symbols composing the neurotransmitter linked to the state of happiness (artist's book).

The most complete publication ever dedicated to the Tuscan artist.

A collection of works reflecting the influence of Italy on Paul Thek's artistic trajectory, with several contributions highlighting his Italian period.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.