Central / Eastern Europe

First monograph (work from 2009 to 2012), with three essays and an interview.

Reference monograph.

First and extensive monograph dedicated to the drawings of an artist hitherto primarily distinguished as an artist of the book, a typographer and a etcher, revealing the many aspects and the autonomy of the practice of drawing, as well as its role and importance in Johannes Strugalla's artist's books and whole production.

Monograph on Miroslav Tichý's unconventional and artisanal (blurred, underexposed photos, taken with handmade cameras) but powerfully evocative work.

A literary piece considered to be a central written in Stratil's body of work, Životopis (biography) is a poetic discourse reflecting the artist's inner spirituality and lifelong contemplation of his self and its versatility. This edition is illustrated with a series of self-portraits, both paintings and photographs.

Artist's book.

Exploring the socialist ruins.

Artists' book.

These books are based on two different projects led by the artist during a site-specific exhibition at a gallery in Weikendorf, a little town in Lower Austria. For the first, she invited the local community to bring her photographs that would describe their lives in Weikendorf and exhibited it. The second project includes a black and white photographic installation playing on the reflections of an old fire station.

This artist's book takes a look back at ten years of works by Czech performer Vladimir Havlík and offers a powerful reflection on the influence of formats in our reception of photographic images.

A manual of political instructions and recipes, delivered by more than forty international authors, rather than a traditional exhibition catalogue (publication accompanying the exhibiton for the Polish Pavilion at the 54th Venice Biennale.

A portrait of the great Ukrainian photographer based on a film on Boris Mikhailov by David Teboul.

Catalogue focusing on both ambiguous and explicit Morellet's relationship to Malevich's oeuvre.

This artist's book is an illustrated and disenchanted reflection on democracy and its imperfections. Using two different colors, the artist dissociates two layers of meanings—the text and the image—while maintaining a close dialectic.

First monograph.

Artist's book.

New monograph, based on Šedá's work for the Berlin Biennal 5.

Emblematic videos and recent works by the duo.

A collection of paintings from the last two years.

A Transnational and transgenerational project.

An anthology.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

First monograph.

First monograph (available in English edition).

An unfinished project by Eisenstein inspired by the deconstruction of traditional architecture and its ideologies.

First monograph on one of the most important Romanian artists of the younger generation.

A conversation between the celebrated Russian philosopher and the young international artist from Georgia.

Artist's book (limited edition).

Artist's book.

Anthology of Yona Friedman's drawings published from 1975 to 1992 in more than thirty countries and in twenty languages. This last volume focuses on the artist's researches on language, interpretation and improvisation within the urban environment.

An Igor Zabel reader.

New paintings and collages, with texts by the artist.

“East Coast Europe,” which took place during Spring 2008, is a project about the perceptions of contemporary European identity and its relation to spatial practices and international politics.

The artists Nomeda & Gediminas Urbonas are representing Lithuania at the 52nd International Art Exhibition La Biennale di Venezia. This book documents the artistic process of the Villa Lituania project, collecting the archival material associated with the challenge of building a pigeon loft in Rome, and a visual and textual artists' diary.

An anthology of drawings by Yona Friedman published from 1975 to 1992 in more than thirty countries and in twenty languages.

This first monograph presenting an exhaustive selection of the artwork of Tobias Putrih illuminates the thought and methodology of the artist.

Artist's book based on Sedá's work for Documenta 12.

Inspired by a monumental installation by Andro Wekua, this artist's book showcases a collection of illustrations and archives.

The first publication in North America devoted to the installation work of the German filmmaker Harun Farocki.

Twelve films created by the artist and his wife between 1960 and 1963.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

A full documentation on the collaborative project between Yona Friedman and Camille Henrot.

Reference monograph.

A retrospective monograph / a creative work that carries the artist's distinctive imprint in both its editorial structure and its design.

Two discussions about Karl Marx by the famous slovenian philosopher, illustrated by the German artist.

The ongoing history of the experiment in film and art: this book describes and analyses the works of filmmakers and artists, defining two decades of experiments in Polish avant-garde film, and juxtaposes their work with contributions by international artists, who started to work during the last fifteen years.