Central / Eastern Europe

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

This catalogue stems from two eponymous exhibitions examining Hungary's art scene's drive toward abstraction to reflect on the complex social conditions of the country, from the 1960s to the present-day.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

This historical essay recounts the story of the EXAT 51 collective—the first Yugoslavian abstract art group—and how it shaped the idea of abstract socialism by associating socialist cultural politics and modernist artistic practice.

Catalogue.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

This artist's book derives from a series of videos documenting the present situation of six unrecognized Republics on the border of Eastern Europe and Western Asia. Vellahu collects the collective memories of people and lands which have been affected by years of war and by the politics of borders.

In this book, the 1923 manifesto “Active Art” by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose.

Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.

Catalogue of Driant Zeneli's multidisciplinary film and sculpture installation for the Albanian Pavilion at the 58th Venice Biennale.

New monograph.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

Artist's book.

The portfolio of the exhibition at the Jeu de Paume – Château de Tours.

A research on the borders between public and private space.

Dokoupil's Leopard Paintings.

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

Reference monograph.

Reference monograph.

Artist's book.

Avant-garde Croatian experimental '70s masterpiece, never reissued before.

This artist's book reproduces a series of comics made by Victor Man when he was a child in communist Romania in the early 1980s. These drawings reveal the artist's fascination for the then rare Western magazines. The publication opens with a letter from Victor Man to little Rózsa, to whom the book is dedicated.

Reference monograph.

A visual tour de force (artist's book).

First monograph dedicated to the Polish visual artist, designed in close cooperation with graphic designer Krzysztof Pyda, and focusing mostly on Łakomy's sculptures and installations (texts by Jakub Bąk, Martha Kirszenbaum, and Chris Sharp).

This catalogue revolves around a project by Damir Očko inspired by the works of Brecht and Orwell. The Croatian artist produced a video collage reflecting on the impoverishment of language in the public space.

Conversations is a monographic collection of interviews focusing on an artist's drawing practice. For this first book, Sharka Hyland answers the questions of Marcelline Delbecq, two artists whose practices converge in their interest in writing, reading, images, and language. A discussion that fosters a unique look at Sharka Hyland's work.

The first monographic publication dedicated to one of the foremost artists of his generation and a key figure in the development of Bucharest's artistic community in the early 2000s.

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.

An overview of the works of the avant-garde group Warsztat Formy Filmowej (WFF), pioneers of video art in Poland and structural cinema in Central and Eastern Europe between 1970 and 1977. The publication examines all of the aspects of the WFF's activity, as well as their pedagogical heritage.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

Celebrating the 100th title in the “L'art en écrit” series, Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst. Published as a leporello, this artist's book features an original artwork signed by the artist.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Published for the Estonian Pavilion at the 57th Venice Biennale, Katja Novitskova's catalogue addresses emerging potentialities between visual culture, big-data-driven processes, and ecology.

The catalogue of the Albanian Pavilion at the 57th Venice Biennale presents the work of painter and video artist Leonard Qylafi, whose practice has recently been focusing on processes of change and recollection. The featured works investigate the history of Albania and reflect on the nature of the image as such.

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

Analyzing the theoretical and aesthetic thought of the founder of Lettrism in the intellectual context of the post-war and up to 1968.

New monograph of one of the most important artists rooted in Eastern Europe.

A “man” tells his fabulous past as an ape, from his capture to his adaptation to the world of men, to the members of an Academy of Sciences. This edition of A Report to an Academy, a short story by the great Kafka, is accompanied by a musical piece especially written by Nurse With Wound (here, Steven Stapleton, Colin Potter, Andrew Liles, Matt Waldron, Quentin Rollet, and It could be Worse).

This publication covers the discursive outcome of the project “Black Hyperbox”—a frame for performance and text based on the alienation between practice and conceptualization.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.