Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

A musical and poetic performance by the Italian artistic collective.

The first new Ilitch album since 2010—one of Thierry Müller's most personal, introspective and seducing recordings.

First encounter of two essential figures of the French underground and alternative music scene.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

A tribute to William S. Burroughs.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

The album from Marina Rosenfeld's complex audiovisual installation around the microphone, amplification, notation and listening.

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

The musical adaptation of Joseph Ponthus' eponymous book by Michel Cloup (Diabologum), Pascal Bouaziz (Mendelson, Bruit Noir) and Julien Rufié (Michel Cloup Duo), between rock, reading, chanson and electronics.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

Stereophonic versions based on the recordings and mixes used for the 4 sound installations, made in-situ between 2005 and 2016 (with Jean-Luc Guionnet, Arnau Horta, Seijiro Murayama and Michaële-Andréa Schatt).

C.C. Hennix realizes Karlheinz Stockhausen's famous “intuitive music” masterwork from the late Sixties.

The album “Balance” by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 1990s and early 2000s.

Giuseppe Ielasi experiments for the MMXX series with edgy and unpredictable rhythmic elements, buzzing tones and unusual environments.

Originally released by the Grateful Dead's Round Records in 1975, Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Karbe Dinel creates a complex work of sound that shifts through diverse moods and seamlessly dovetailed sections, using synthesizer and effects to create deep resonating tones and high pitched complements, mysterious grainy ambience, haunting chambers of drifting electronics; a mysterious and compelling journey in the electronic realm.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).