A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A both poetic and political text which supports the French social movement that began on 31 March 2016.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

Catalogue of a historical exibition curated by artist Anna Sew Hoy, with support from ICA LA Executive Director Anne Ellegood, Scratching at the Moon presents an intergenerational group of thirteen leading artists in the Asian American community who currently live and work in Los Angeles or have strong ties to the city.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

A collaboration between Toilet Paper and American photographer and filmmaker Alex Prager.

What gets counted within the category of heritage, and who gets to do the counting?

The first issue of Flash Art's yearly review dedicated to design at large and an in-depth analysis of market relevant issues, titled Anti Composition, provides an aesthetical upgrade at world scale sources and phenomena.

This notebook from the Academy of Fine Arts, Vienna contains 192 blank pages for making your own notes.

The eleventh issue of the biannual journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts: Jeffrey Perkins, Sophie Lapalu, Billy Sullivan, Liz Magor, Moyra Davey, Zoe Beloff, Paul Thek, a long previously unpublished conversation between Paul McCarthy and Sabrina Tarasoff...

Interviews with Michel Dector et Jean-Baptiste Farkas, Alice Dourlen, Apichatpong Weerasethakul, Jim O'Rourke, Steven Stapleton, Andrea Laszlo De Simone; Johanna Went and Dame Darcy by Nicolas Ballet; Mickael Vis; Yûichi Yokoyama; SMITH; Marcel Broodthaers; Current 93; IKHÉA©SERVICES; Alan Dunn; Oskar Schlemmer; Blaine L. Reininger; Martin Le Chevallier; Ludovic Chemarin©...

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

A reflection on the role of art in the interconnected struggles for climate and ecological justice.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

A contemporary artistic reinterpretation of a vanished craft.

An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.

An overview of the career of Amerindian composer and artist Raven Chacon.

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

Four decades of urban change in London's East End: a comprehensive retrospective of the British photographer's documentation work since the 1980s.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Multivocal and anonymous, A Strange Adventure is oral-history-as-theater—the theater of memory, trauma, and torture.

A series of electric guitar duet meditations.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

New approaches to Iannone's unique work.

In this critical biography, Omar Kholeif offers an introductory field guide to Magda Stawarska's practice.

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.

Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Two monumental pieces for flutes and additional voices.

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.