Contemporary art

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

A series of historical images of buildings and monuments, retouched by the artist who superimposes the flames that ravaged these monuments long after the time of the original image, overlaying the present and the past.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.

Reference monograph.

Three series of works that the Californian artist of Japanese origin has been producing since the 1970s, plus a text, in four booklets.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

An ecological, urban and architectural anatomy inspired by Tunisia's palms and eucalyptus trees: a conceptual, committed and critical gesture of renovation of Tunis' municipal greenhouse at the Parc du Belvédère, which questions the very same definition of an artwork, the place of the artist and the role of cultural institutions.

Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.

The protocol and the action of the New Patrons: the radical transformation of the conditions of emergence and appropriation of the art as political act.

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

The first monograph dedicated to American sculptor John DeAndrea, one of the founding members of American Photorealism along with Duane Hanson, Chuck Close, Richard Estes or Robert Cottingham in 1970, with an introduction by Catherine Millet, an autobiography of the artist and over 200 pages of illustrations.

Performance art with a “low artistic coefficient of visibility”.

ASMR's low masses, the Russian punk scene's exile in Belgrade, Harry Gruyaert, insurrection and literature in Turin's prisons, Susanne Kennedy, Nicolás Pereda, a sociological analysis of police violence by Paul Rocher...

The multiple issues of sexual representations in art / the complex relationships between art and the various forms of pornography.

Rosemarie Trockel, Mike Nelson, Lygia Pape, Tom Burr, Simone Forti, Deepfake Generation...

Catalogue of an exhibition centered on the work of the artist and writer Helen Khal (1923-2009), an influential figure in the Lebanese art scene.

The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

Monograph surveying more than ten years of the Canadian visual and performance artist's career, whose engaged practice addresses social and environmental issues, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

As a prefiguration of its new formula, this issue of the Palais de Tokyo magazine is accompanying, but above all deepening

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

The recording of a literary interpretation of a performance by the artist Pablo Pijnappel.

CURA. celebrates its 40th issue with a special collector's edition featuring a collection of over one hundred contributions expressly created by artists, writers, thinkers, and philosophers who have collaborated over the years with CURA.'s editorial and curatorial platform, since its founding in 2009.

Karen Kilimnik's artist's book Early Drawings 1976–1998 brings together the artist's own rich and varied selection of around 130 never before published early works on paper.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.

The reprint of a cult book of post-1968 psychedelic culture:, an encyclopedia of the cultural and artistic manifestations of the rainbow first published in 1975 in Berkeley, California, on the occasion of The Rainbow Show exhibition held at the Fine Arts Museums of San Francisco.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.

MUdec United, the new publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The first issue addresses the themes explored with an exhibition project composed of different stories related to the rainbow as a natural, cultural, spiritual and human phenomenon.

A conversation between Eva Wilson and the 2022 Frieze Artist Award Abbas Zahedi, around the core concepts of "translation and transplantation".

A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

Diaphanes #11 explores practices of human and non-human substitution, plays with the myths and visions of motherhood and procreation, gathers artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

Retrospective monograph: a panorama of Jennifer Caubet's work over fifteen years.

The first novel by Swiss artist Johana Blanc.

At the intersection between theatre, fashion design and poetry, Concours de larmes is a powerful text, both prophetic and unsettling. Based on the play of the same name presented at the TU - Théâtre de l'Usine in Geneva in 2022, it is presented in the form of set of divinatory cards, each character referring to a specific part of the text.

First monograph of the painter Xavier Drong.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

The 12th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with Atlas Studio, Eurostandard, Nathalie Herschdorfer, Elisa Medde, Jonathan Olivares, Samuel Spreyz, Manon Wertenbroek.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

A publication dedicated to the Axel and May Vervoordt Foundation, a Belgian art foundation containing over 700 artworks from both contemporary artists (Jef Verheyen, Anish Kapoor, Angel Vergara, etc.) as well as old ancient objects and artworks.

The sequel to Nicolas Le Bault's graphic novel of intimate horror and fantasy.

A long-term project by the Italian artist and agroecologist on rethinking the relationship with the earth, both from the point of view of humans and plants.

In his "Autobiography", Andrea Salvino uses different visual elements that characterized his production through the years: movie stills, details of master paintings, images of celebrities and many others.

29 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.