Contemporary art

The posthumous autobiography of Harun Farocki (1944-2014).

New monograph of the Beninese painter.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

Meeting between dance and visual arts.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Artist's book.

First monograph.

A book that brings together 150 portraits of artists when they were "about" five years old.

An artist's book, a catalogue of a museum without walls, an account of a work under construction in response to a commission in a former mining basin.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the twentieth century which responds more than ever, twenty-five years after its first publication, to the need to decolonize the knowledge.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

Pierre Wat invites artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

Sébastien Gökalp invites artists from both sides of the Atlantic to share their views of Eva Hesse (1936-1970).

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal : contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Barbara Chase-Riboud, Michael Chow, Claire Fontaine, Pan Daijing, Es Devlin, Hedi El Kholti, Edwin Frank, Theaster Gates, Nicolas Godin, David Hockney, Alejandro Jodorowsky, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Ariana Reines, Julian Schnabel & Jason Momoa, Hanna Schygulla, Iké Udé, McKenzie Wark, Diana Widmaier Picasso, Yohji Yamamoto.

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution (limited, numbered edition boxed set).

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

Sheila Hicks' recent monumental and architectural-based projects.