Contemporary art

A volume assembling new and existing documents that revisit, mix and remix moments in the work of artist Christian Nyampeta.

A hybrid proposal developed by artist and curator Lorenzo Sandoval and archaeologist Tono Vizcaíno, situated between the creation of an archive and an artistic project, whose objective is to offer a necessarily partial reading of Valencian industrial heritage based on the sound, the intangible and social movements.

The first monographic overview publication of the work of Iranian artist Farkhondeh Shahroudi.

A photo report in an photo lab (artist's book).

A text by the painter, writer and poet, begun in 1959 as a student and finalized half a century later.

Research and creations by a collective of academics and artists on perceptions and practices related to the Romanche river in Isère (France), in a context of massive landscape transformation.

The first extensive survey of Nordic art during the transition from postmodernism to what might be called "the period of contemporary art".

The largest and most comprehensive monograph on van den Broek's work to date, a complete and monumental survey of 1998 until now, on over 500 pages, presented and analysed by John C. Welchman.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

The artist record Call and Response brings together pieces created in connection with performances and exhibitions by Jimmy Robert, including a booklet wrapped around the record.

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Odour as an artistic medium.

Issue 54 "Voicings" explores modes of being, perception and expression that have been historically and often violently disabled by society. Focusing on art practices that centre the perspective of D/deaf and non-verbal communicators, it proposes reconfigurations of voice, language and sound. It asks readers to tune into a chorus of voicings, not necessarily audible, but perceivable as "atmospheres", "vibrations", "rhythms".

Stanley Brouwn, Walter de Maria, Peter McGough, Art history after Black Studies...

Spike's Autumn issue is decoding AI, beginning with the age-old question of what intelligence is.

Carroll Dunham's "Green Period."

Comprehensive monograph.

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

A retrospective of Georges Rousse's "circles."

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists' writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

Site Sketches n°1-500 is the first volume of the catalog raisonné devoted to the Site Sketches series, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.

Four artist's posters.

Cally Spooner, Donald Rodney, Ivan Cheng, Niloufar Emamifa, McKenzie Wark, Clémentine Deliss, Kerstin Stakemeier, Chus Martínez...

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

The first major book by the Lisbon-based French artist Mattia Denisse.

First monograph of the Spanish artist Eva Fàbregas.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

A dialogue between Camille Henrot's images and Estelle Hoy's texts, a visual and verbal exploration of melancholy, failure, injustice, and hope.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

The Drawer #23, on the theme of portraits, gathers drawings and contributions by some twenty artists and creative people.

The third issue of the annual review of the École des arts décoratifs de Paris, placed under the complex and ambivalent sign of "TRANS", covering the various ways of transgressing (identity, textuality, coding, training, etc.).

Interviews with artists and researchers on the issues of catch and data.

Contemporary art and degrowth.

A mysterious hybrid manuscript ("rediscovered", edited and presented by Alessandro De Francesco) whose prose, oscillating between poetry, philosophy and conceptual art, ingenuously explores the great unresolved questions of humanity and nature.

A visual attempt to index photographic images.