Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the
Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the
theory of the image.