Art & medias / information / communication / media studies

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

A massive artist's book-cum-overview of the revered and subversive queer Canadian collective, exquisitely designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

A massive artist's book-cum-overview of the revered and subversive queer Canadian collective, exquisitely designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

4th issue of the international journal on amateur and DIY media, bringing together contributions on fanzine readers, Tolkien-zines, the place of a female author in the scene of cinema fanzines in Greece, the artistic project Copie Machine, the fanzine as a societal springboard.

A critical approach to visual communication and contemporary globalist aesthetics.

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

The redefinition of the medium through the interrelation between contemporary art and cinema.

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

Monograph.

The first translation into French of a work by the Japanese philosopher, this book, based on photography and cinema, in dialogue with Cassirer, Heidegger, Marx and the authors of the Frankfurt School, proposes an aesthetic of resistance and rebound that is inseparable from the body and the struggles it involves.

An essay by the distinguished philosopher and theorist of art and media on the current evolution and possible future of museum collections practices and strategies.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

Mehdi Belhaj Kacem and Bernard Stiegler talk about what links them to philosophy.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

A reference book containing all the transcripts of Simone Forti's News Animations.

This second issue of the research journal ZINES, the first of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. The corpora presented here add, in their own way, something new to the history and stories of LGBTQI + women and people in contemporary societies.

This third issue of the research journal ZINES, the second of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. Contributions in this volume feature themes such as the body, heteronormativity, while showing us the flip side of the conceptualization of queer.

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 250 copies).

New monograph.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

Monograph dedicated to Jim Shaw's “Paperback Covers” key series.

A nonsense opera (artist's book).

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

Olaf Holzapfel's and Guido Yannitto's textile works.

New monograph / catalogue.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

This monographic study catalogs, explores, and interprets the manifold manifestations of music in Thomas Pynchon's novels.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

A manifesto for artistic research and in defense of its autonomy.

Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

New works on paper.

Two texts by New York artist Zoe Beloff, pioneer in the field of “media archeology”, whose works are at the crossroads of avant-garde art, popular cultures and critical theory.

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book, commenting on media's continuous changes of form and format. Through an interplay of theory and artistic research material, the book extends Judy Radul's ongoing investigation of media with an idiosyncratic perspective on television—while still feeding off collective experience. The book thematizes television as a cultural container, both in its format as a box for content and as an ideologically saturated apparatus for reception.

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

A panorama of the world of do-it-yourself fanzines.

This publication celebrates 10 years of Poptronics, a French online media dedicated to net-culture: net-art, video games, music and sound art, hacktivism, post-digital art… For its tenth anniversary, Poptronics brought up a collective archive of its materials, revisited by the French digital art scene.

A visual archive of the Islamic State's destruction of artifacts.

A visual tour de force (artist's book).

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

A French history of digital animation.

Facsimile reprinting of Danne & Blackburn's graphics standards manual for the redesign of NASA's visual identity in 1975.

Facsimile reprinting of Paul Rand's graphics standards manuals for the redesign of the visual identity of the multinational technology company IBM from 1962 to 1987.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

The proxy—an intermediary for requests from clients—has become an emblematic word in our networked age. Edited by the Research Center for Proxy Politics, this publication uses the term as a dialectical figure to examine today's post-democracies politics.