Poetry

Reading of One Million Years (Past and Future 51 – 62) by male and female voices (250 copies limited edition wood boxed set of 24 audio CDs).

Essays and interviews on 20th century avant-gardes in France (from Dada to sound poetry, avant-garde reviews, happenings and events, Fluxus, Raymond Hains, Jacques Villeglé, Gil J. Wolman, Camille Bryen...).

First translation in French of the collection of talks by American poet, critic, linguist and performance artist.

A poem on war and the oppression of the modern body.

Recorded four years before the death of Beat legend Brion Gysin, this live set features the poet reciting poems from the late '50s and early '60s, accompanied by a makeshift no wave backing band.

First extensive publication of American artist, poet and performer's texts, illustrated with 4 screenprintings.

A collection of conferences for an exibition.

One of the first published text by a major figure of Belgian experimental literature.

New edition of the Letterist manifesto.

A series of poems by Henri Cole used by conceptual artist Jenny Holzer for her monumental “signs” installations.

Facsimile reissue of the original graphic poetry book self-published in 1975 by Guy de Cointet.

Reference monograph.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

Gerard Malanga's first hand documents from his personal archives, with unpublished music by various personalities.

Richard Huelsenbeck's En avant dada is his first proclamation of Dada in Berlin.

The fourth and last poem by Kippenberger, written several days before his succombed to illness. A short letter of adieu, with two portraits of the artist by Elfie Semotan.

Reproduction of the artist's book published in 1975.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

An essay by Christian Prigent.

The first collection by award-winning performance artist/poet Justin Chin.

A comprehensive study of the multifaceted practice of Argentine artist Edgardo Antonio Vigo (1928–1997)—sculptor, printmaker, poet, mail artist, performance artist, typographer, designer, etc.—focusing on his publishing activities in the 1960s and 1970s, set against an extremely repressive political backdrop marked by instability, coups d’état, and violence.