Painting

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

London-based artist Faye Wei Wei’s debut monograph.

A series of watercolor studies of vases by the Swedish artist, printed in risography.

A large retrospective of the Swiss cult photographer's work over two decades.

A monographic itinerary on Patrick Procktor (1936-2003), a leading, contradictory and flamboyant figure in the London art scene of the 1960s and 1970s, through a selection of about sixty works, including paintings, watercolors and drawings.

A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".

First monograph of the Finnish painter: a series of troubling family scenes whose deviance shines through under a veneer of normality, obscure and disturbing images that appear like reminiscences of a childhood marked by drama and war, never far from the living room.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

A gestural abstract painter reflects on his near-death experience with Covid

A new critical reading of key dimensions of the Los Angeles-based French artist's work.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

This zine gathers several photos, collages and drawings of Barry Mc Gee. He created a unique visual language, composed of geometrical patterns and recurring symbols.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

This richly illustrated volume offers the occasion to discover Tomoo Gokita's latest body of work, featuring his newest large-scale paintings and a number of never-before-seen works made under lockdown during the pandemic.

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

First monograph.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

Reference monograph of Georges Mathieu (1921-2012), a major figure of mid-20th century abstraction, founder of Lyrical Abstraction, inventor of performance art, pioneer of Action Painting, speed and risk, dripping, early inspirer of street art.

A series of failed, rejected, or unused animals from Rop van Mierlo's archive; the reserve bench animals.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

Cao Fei, Fatima Al Qadiri, Caterina Barbieri, Will Benedict, Cecilia Bengolea, Giulia Essyad, Roe Ethridge, Jenna Gribbon, Ru Kwok, Lydia Ourahmane, Heron Preston, Emily Segal...

Helen Marten, Carl Craig, Anne Imhof, Julie Mehretu, Kaspar Müller, Promising Young Woman, Hito Steyerl, Telfar, Grace Wales Bonner...

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

A series of recent drawings by London-based artist Faye Wei Wei.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

Julia Rommel's eponymous monograph gathers a decade of her painterly obsessions, with texts by the artist and writer Rebecca Bengal.

The current state and future of painting in the digital age.

Artist's book.

Reference monograph.

First monograph.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

Artist's book.

A reflection on the genealogy of objects (artist's book).

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Recipes from all over the world: an illustrated cookbook by Anna-Eva Bergman, published for the first time.

This publication presents a comic strip made by a 20-year old Nathalie Du Pasquier in remembrance of a six months journey in Gabon. Inspired by a clipping from a Gabonese daily, the cartoon tells the colorful story of a clumsy Don Giovanni. This edition features an introductory text by the artist, the translated strip, and a facsimile of the comic book in original French version.

This publication provides the first overview of Christiane Pooley's work to date: a landscape painter unveiling the instability of social structures, the Chilean artist has developed a universe which summons the sublime, the melancholy and the political. With texts by Marie Maertens and Laura Morrison.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

New paintings, sculptures, photographs and site-specific installations.

American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.