Singapore

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

An architectural exploration of haunted locations in Singapore.

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.

The catalogue for Heman Chong's first solo museum exhibition in mainland China, at the Rockbund Art Museum, provides an insightful and critical look into the Singaporean artist's recent practice.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

This collaborative project by Mark Soo and Tim Lee formally pushes the boundaries of what a book is. The book is blank except for four printed pages containing words set in Univers.