Black Mountain College

Invited by Pierre Mabille, nine artists, from both sides of the Atlantic (Sheila Hicks, Fanette Mellier, Mathieu Mercier, Sarah Morris, Dan Walsh...), share their impressions of one of the 20th century's most influential abstract painters and teachers.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

Comprehensive monograph: the first survey of first generation Bauhaus artist Xanti Schawinsky's extraordinarily prolific output over the course of five decades.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

French edition of a study which not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project.

A transcript of the earliest of John Cage's extended writings.

The resurgence of Dada in the U.S. (a genealogy of American post-war experimental art).

Powerful instrumental music performed by Robert Rauschenberg, Kat Epple, and Bob Stohl on electronics, and a series of musical metal sculptures called Strategic Structures.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Historically important pieces documenting John Cage's early electronic and tape practice.

Historically important pieces documenting John Cage's early electronic and tape practice.