Both a monograph on Umberg's work and an exhibition catalogue, this book offers a first-hand insight into the practice and position of one of Germany's most committed tenants of abstraction.
An unique compilation of writing around art and cultural politics in America since 2000 (Giorgio Agamben, Bernadette Corporation, Trisha Donnelly, Isabelle Graw, Robert Morris, Seth Price...), as an addendum to the traveling exhibition curated by Daniel Birnbaum, Gunnar Kvaran and Hans Ulrich Obrist.
Taking as their starting point one of the oldest objects in the collection of the Rijksmuseum, a moon rock, artists Bik Van der Pol invited different writers to comment on issues of site-specificity, museum collections, and space law.
Drawing upon the classic notion that flowers are imbued with meanings and a specific set of semantics with idealistic and hopeful connotations, Sicily-based artist Aleksandra Mir has edited and revised the botanical code in a more socially relevant fashion.
A series of photos between documentary and science fiction in the vertiginous universe of plastic surgery, with a DVD of images and electroacoustic music.
An unpublished interview with the American artist, a series of photographic boards and an essay by Kay Rosen: a presentation of her recent works as well as a general introduction to her oeuvre.
This publication is based on a series of surveys and photographs made in Berlin between 2001 and 2004 by artist Raphaël Grisey. A combination of images and texts, Wo versteckt sich Rosa L. is an exploration of the memory and the history of the city. This subjective guide of Berlin also features maps to locate the photographed sites.
Carsten Höller, David Robbins, Thomas
Hirschhorn, Philippe Parreno, Jeff Koons, Liam Gillick, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Gary Webb, Gianni Motti, Xavier Veilhan...
Trisha Donnelly, Jeroen de Rijke/Willem de Rooij,
Monica Bonvicini, Karen Kilimnik, Catherine Sullivan, Martin Le Chevallier, Collection Pierre Huber, Nancy Rubins, Paul McCarthy, Olivier Mosset...
Charley 04 (Checkpoint Charley) is born out of the reasearch conducted by the curators of the 4th Berlin biennal for contemporary art (2006) and brought together images of works produced by more than 700 artists.
This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.