The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

What Can Theatre Do invites artists and thinkers to explore the potential of the performing arts, the political role of theatre and its ability to imagine alternative realities and future scenarios, ranging from essays to artistic interventions.

The portfolio of the exhibition conceived by the Jeu de Paume, offering a chronological look at the evolution of sporting practices since the end of the 19th century, through photographs by some thirty authors (René-Jacques, André Kertész, Jacques Henri Lartigue, Paul Nadar, Marie-Paule Nègre, Bruno Réquillart, etc.).

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

An artist's edition by Miljohn Ruperto comprising three flipbooks and an accordion-fold booklet, that examines different forms of time.

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

New monograph.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

A contemporary artistic reinterpretation of a vanished craft.

Catalogue.

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

Known for his braided canvases, French artist François Rouan presents his latest "photographic-tableaux", a group of forty previously unseen pieces.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.

Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records, an album showcasing six mesmerizing and rhythmically intricate electronic compositions.

New approaches to Iannone's unique work.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

A survey of Florence Grundeler's work, structured according to the different media (canvas, paper, steel, installation) that form the pillars of her artistic development, with two essays.

This new body of work consists of paintings featuring heart-headed figures in various emotional states and situations that sometimes teeter between the ordinary and extraordinary. From tender amorous moments to unexpected skate scenes, the work is full of the next iteration of emotive "schmoo" characters.

Caroline Bachmann's dawn paintings.

Ronan Bouroullec's daily drawings.

Second volume of a collective publication devoted to the analysis of the party, in all the complexity of its social dimensions and implications.

Rosé is a queer art zine, edited by Ben Egger and Sarah Berger, that aims to provide a curated public platform for queer artistic perspectives and concerns.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

The multiple meanings and uses of textiles in art, culture and society.

Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade.

The outcome of two years of writing and documenting Joshua Leon's own research processes, the publication comprises original writing alongside archival imagery.

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

An extended meandering conversation between Swiss art historian, critic and curator Jacqueline Burckhardt and curator/art historian Juri Steiner, accompanied by numerous texts, documents and artist inserts.

The complete texts and photographs published in the fanzine dedicated to free jazz.

Catalogue of a historical exibition curated by artist Anna Sew Hoy, with support from ICA LA Executive Director Anne Ellegood, Scratching at the Moon presents an intergenerational group of thirteen leading artists in the Asian American community who currently live and work in Los Angeles or have strong ties to the city.

An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

A reflection on the role of art in the interconnected struggles for climate and ecological justice.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

The result of a research project revolving around the question of data, headed by artist-photographer Aurélie Pétrel and philosopher Fabien Vallos.