An extensive overview of Olivier Mosset's six-decade painting practice.

Artist's book.

Pascal Pinaud's drawings and paper works.

New monograph: a collection of 352 watercolors made since 2006 by the painter on the theme of industrial landscapes.

The first major monograph on Piffaretti: a journey through contemporary painting.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

This book offers several thematic gateways to Alain Huck's work showing the persistence of the same autobiographic, environmental, historic and linguistic issues in a variety of mediums.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

The story of an iconic work by Claude Rutault.

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

Reference monograph / catalogue raisonné.

Six hundred watercolors realized by Yvan Salomone during the first fifteen years of his career (1991-2006).

Reference monograph / first comprehensive critical tool dedicated to the work of Swiss abstract painter.

Yves Bélorgey's paintings and drawings, reflecting the central topic of the artist's work: a particular stage of modern architecture and the modern city, which Bélorgey sets out to rediscover, reinvent pictorially and record methodically.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

First monograph on French artist-photographer Natacha Lesueur who develops a very coherent and personal work on the themes of the body, food, and the photographic image itself: a complete overview of a work both uncanny, disturbing and attractive, because seductive.

Reference monograph.

Reference monograph.

Reference monograph.

Exhaustive first presentation of Christian Robert-Tissot's work.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

Reference monograph devoted to a radical pictorial work closer to the subject that is simultaneously a reflection on the photographic practice itself: all series of photographs of objects since 1989 (guitar amps, safes, tables listing, writing desks, lithographic stones, electrical panels, canvas versos...), with two essays.

The catalogue raisonné of Marcia Hafif's works during the Italian period, with about 500 paintings and drawings from the 70's, with a long interview and an essay by Eric de Chassey: an indispensable tool for anyone who, today, wishes to understand the evolution of occidental abstraction, through this woman painter figure, emblematic of the era's mutations.

First publication dedicated to Christian Marclay's photographic practice.

Catalogue accompanying Jim Shaw's first retrospective.

Monograph.