The first study devoted to the American ecological art movement.

A comprehensive survey of visual studies and visual culture, from its origins in art history to the current perspectives opened by new technologies, virtual reality and artificial intelligence.

Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the theory of the image.

The Drawing Centre Show brings together 62 international invited to produce a series of three drawings, selected by four curators (including two artists, also participating): Gene Beery, Katherine Bradford, Joe Bradley, Roberto Cuoghi, Steve DiBenedetto, Carroll Dunham, Rachel Feinstein, Bruno Gironcoli, Sophie von Hellermann, Charline von Heyl, Jacqueline de Jong, Martin Kippenberger, Maria Lassnig, Tobias Pils, Gerwald Rockenschaub, Lily van der Stokker, Betty Tompkins, Franz West, Heimo Zobernig...

This anthology gathers some of the most emblematic authors of the Brazilian poetic modernity, in its widest amplitude and with the intractable will to reveal its incessant reinvention.

An exploration in thirteen chapters of the question of the name, in a poetic ensemble crossed by childhood, memory, and the obsession of the return.

Reissue of the cult punk book by the transgender artist (filmmaker, musician, poet, writer...) Ossang, written in 1980 and first published in 1993, now impossible to find.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

How Thomas Ostermeier's productions explore the links between literature and theatrical art in order to question, through a complex realism that he reinvents, what the works have to say about the political and social reality of our present.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

A reflection on asceticism in architecture.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

An anthropologist's view of contemporary African creation.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

Reissue of Volume A of Dominique Pasqualini's Editome, which explores the permanent state of testing of our lives and our relationship to technology.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

An anthropologist's view of contemporary African creation.

A book to approach differently what is taught and learned in art and design college.

Vegetal life at the forefront of philosophical thought.

The history of the contemporary art center of Metz.

The very first major monograph of Paul-Armand Gette.

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

A text declined in the form of axioms, corollaries or proposals, like an accumulation of pictures built over the course of social movements, and with the words of others (Marcel Proust, Jonathan Crary, Nathalie Quintane, Chrysippe, Karl Marx, Marie José Mondzain, Mario Tronti, Anne Parian, etc.), in order to question the gestures that make up the narrative.

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if this word came from the origins.

A history of the museum of modern art, exhibitions and discourses on art and its public in the 20th century, from the trajectory of Jean Cassou (1897-1986), writer, resistance fighter, art critic, poet and chief curator of thenational museum for modern art of France from 1945 to 1965.

An investigation into how the discovery of "India" disrupted Western mimesis between 1800 and 1850, thereby contributing to artistic modernity.

The first book to examine the life and work of the fascinating figure of Saul Bass, exploring the designer's revolutionary career and his lasting impact on the entertainment and advertising industries.

The catalog of the exhibition at the first Biennale of Architecture and Landscape.

New perspectives for a history of Italian silent cinema.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

First monograph.

Julien Blaine's new collection of poetic, visual and typographic experiments.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

A critical approach to visual communication and contemporary globalist aesthetics.

20 proposals for the intersection of artistic practice and research in academic milieu.