les presses du réel

Mousse #44

 - Mousse #44
Peter Hujar by Stefan Kalmár, The Not-Spot by Nick Currie, The Art of (Leadership) George W. Bush by Alison Gingeras, Selfie Poetics by Andrew Durbin, Robert Heinecken by Andrew Berardini, Art After the End of Art: Exhibit B by Jens Hoffmann, The Whole Earth Show Revisited by Chelsea Haines, Bilging a Wetter Fly's Lap by Alex Benenson, Tyler Coburn, Jenny Jaskey, Michael Portnoy, Fernando Ortega and Fly Electocutor Device, Otobong Nkanga by Hans Ulrich Obrist, From Performance To Post-Performance by Marie Canet, Marie de Brugerolle, and Catherine Wood, Whatever Happened to the Sisterhood by Jennifer Allen, Hannah Weinberger by Nikola Dietrich, Than Hussein Clark by Simon Castets, James Ferraro by Christopher Y. Lew, Sidsel Meineche Hansen by Anna Gritz, Jasper Spicero by Kevin McGarry, From New York, Southward: A Counter-Memorial by Thomas J. Lax, Mario Schifano by Flavia Frigeri, Bunny Rogers by Harry Burke, Phillip Zach by Sophie von Olfers, Jamian Juliano-Villani by Jonathan Griffin.
Mousse is a bimonthly contemporary art magazine. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.
Mousse (Mousse Publishing) also publishes numerous catalogues, essays and curatorial projects, artist books and editions (see the corresponding publisher's page).
published in July 2014
bilingual edition (English / Italian)
26,5 x 37,5 cm (softcover)
296 pages (color ill.)
in stock
topicsrelated to

 top of page