This January Artforum looks at The Uses of Power: to picture our current life and imagine possible lives otherwise, Artforum invited seven artists and two writers—Nan Goldin, Adrian Piper, Sable Elyse Smith, Kia LaBeija, Donald Moffett, House of Ladosha, K8 Hardy, Johanna Fateman, and Paul B. Preciado—to consider how we can and should use power. Plus new Editor David Velasco on the Power of Good-bye, Azikiwe Mohammed talks with Claudia Rankine about Jimmy's Thrift of New Davonhaime, a preview of more than 40 spring shows worldwide, and more.

The third issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, featuring Frédéric Acquaviva, Lieutenant Caramel, Jean-Baptiste Favory, Joël Hubaut, Andy Ingamells, Eduardo Kac, Maurice Lemaître, Loré Lixenberg, and Christoph Ogiermann.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

Vincent Barras's poems-scores; the music of David Jackman and Organum by Paul Hegarty; Ring-Modulation # 25: "Some Classicism" by Kasper T. Toeplitz; 30 years of Metamkine: interview with Jérôme Noetinger and Franck Laplaine; carte-blanche to Patrick Renaud; chronicles and disc reviews…

Mouvement inaugurates its new formula: a new visual identity, new sections and 16 additional pages dedicated to photography. Contents: interviews with Jacques Rancière, Julien Gosselin & Aurélien Bellanger, Katsuya Tomita; portraits of Neïl Beloufa and Mette Ingvartsen; Pierre Ducrozet; Nik Void & Peter Rehberg; Ana Pi; Pauline Bayle; makers and sculpture in Sheffield; Iraqi cinema; portfolios, January-February agenda…

Kurt Schwitters' Merz Manifesto; AMM by David Grubbs; Daunik Lazro's discography reviewed by Luc Bouquet and... Daunik Lazro; interviews with Anna Tjan from the label Dancing Wayang and Dave Phillips; on Lonely Woman by Ornette Coleman. Plus: some sixty book and record reviews.

New York–based fashion label Telfar; Eli Diner on the proleptic videos of Melanie Gilligan; Julia Bryan-Wilson on the fleeting-yet-emphatic multimedia art of Cecilia Vicuña; Daniel Horn on Emil Michael Klein's canny abstraction; Ronald Rose-Antoinette on the Wood Land School's yearlong decolonization of SBC Gallery; Cristina Guadalupe Galván talks to home-based artist Alison Knowles; Pierre-Alexandre Mateos & Charles Teyssou bid adieu to the hyperglycemic concept store Colette; exhibitions reviews.

Special feature “Blanchot and the narrative”; a study on Blanchot and photography; Jean-Luc Nancy; Philippe Jaccottet; a poem by the late Michel Butor…

Charlotte Moorman by Deborah Walker; manifesto for a 21th century avant-garde music by Ulrich Krieger; Ulrich Krieger by Kasper T. Toeplitz ; Ring-Modulation #24: “From idea to sound;” photographic series by Marie Combes; disc reviews, and more.

Interviews with Lucy Dodd (by Rashid Johnson), Cate Giordano, Celeste Dupuy-Spencer, Jlin, Branden Jacobs-Jenkins, Milford Graves, Meredith Monk and Jim Hodges, Don Mee Choi and Christian Hawkey, Friederike Mayröcker; portfolio by Laura Bruce; fictions by Klaus Kertess, Wendy Xu, Pierre Senges, Constance DeJong; an essay by Nuar Alsadir, and more.

Best of 2017: A renowned group of critics, artists, and curators from around the world take stock of the year in art, and of art's place amid social, judicial, political, and ecological shifts; Five celebrated cineasts select the top films of the year; Five musicians and artists name their music highlights of the year; Seven scholars, curators, writers, and artists choose the year's outstanding titles; 40 artists from around the world choose the most striking work, event, or exhibition of the year…

Special issue dedicated to the relationship between and mutual influence of exhibition display and contemporary art practices. A pool of guest contributors—including Hans Ulrich Obrist, Mario García Torres, Simon Starling, Jens Hoffmann, Kim West, Liam Gillick, Gabriel Sierra, Morgan Fisher, Willem De Rooij, Céline Condorelli, and more—were invited to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images.

Interview with P. Nicolas Ledoux and Pierre Beloüin on the occasion of Optical Sound's twenthieth anniversary; Hubert Selby Jr.; the discography of Etant donnés; a special section dedicated to Marjorie Cameron…

Jean-Marie Le Pen's far right music label; Rap Studies in Africa; Sampling in Palestinian rap; Bowie: the graphic art; Indie rock in Switzerland; Portugese punk rock; Multilinguism in French punk rock band Mano Negra… 35 authors have contributed to this “Varia” issue, which also inaugurates a new graphic design. Including special commissioned illustrations by artist Grégory Delauré.

Five articles (by René Schérer, Bernard Desmars et Daniel Chérouvrier, Nathalie Brémand, Hélène Guérin, Jérôme Duwa), an unpublished document (a letter from Fourier written in 1834) and a great number of reading notes which demonstrate the significant vitality of the research on Fourier, Fourierism, and utopia.

This November Artforum looks at Art and Virtual Reality: Douglas Coupland talks with Daniel Birnbaum about the future of technology and desire and Alyssa K. Loh discusses virtuality and empathy. Plus Cheryl Finley on “Soul of a Nation: Art in the Age of Black Power,” Greil Marcus on Slash: A Punk Magazine from Los Angeles, 1977-80; Jackie Neudorf on Donna Deitch's Desert Hearts, and more.

This issue celebrates the 50th anniversary of the magazine. It features texts and interviews that reassess key passages in recent art history, in each case using landmark content from Flash Art's archive as a point of departure (Piero Gilardi; Anarchitecture; the Soviet Nonconformist art; Jeff Koons and Maurizio Cattelan; the writings of Peter Halley; revisiting the pioneering exhibition “Aperto '93” with Helena Kontova and Hans Ulrich Obrist; Chinese art today; what's left of the Berlin art scene…).

The fourth issue of the annual research book-magazine at the intersection of architecture, art and economy, explores the figure of the living as the key to contemporary challenges. Contributions by experts in different fields of knowledge offers the opportunity to rethink our relationship to the ecosystem and the new technologies, and to bring forward the essential notion of cohabitation.

In Japan, what is left of Butō?; Qatar, the young painter and the Emir's portrait; John Maus; F. J. Ossang; the new generation of French graffiti artists; interviews with Anders Petersen, Michael Foessel, Vincent Macaigne, Lola Gonzalez; Crowd by Gisèle Vienne; Mount Olympus by Jan Fabre; the oppressive mutations of urban lighting; portfolio by Fumi Ishino & Thomas Koenig.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

Kim West, Exhibition, Apparatus, and Media, 1963-1977 / Yann Chateigné, 1977 / Richard Parry, London, London / Lotte Arndt on Enquête sur le/notre dehors by Alejandra Riera / Peter Fischli, The Hiking Trail Around the Airport / Liam Considine on “Thinking of readymades belong to everyone®” / Giovanna Zapperi on “Show Me Your Archive” / Oleg Frolov on Tobias Kaspar / Anke Dyes on Till Megerle / Christian Haye on Juliana Huxtable / Camilla Wills on On Charges (The Supplicants) by Elfriede Jelinek / Jeanne Graff, Clifton Clifton.

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

Artforum looks at Russia and the Art of Revolution: A century after the Soviet uprising of October 1917, Matthew S. Witkovsky, Devin Fore, and Owen Hatherley look back—and forward—at the fate of radical culture, utopia, and politics; architect David Adjaye talks about design, culture, and society; Ina Blom on Ed Atkins and the science of weather simulation; and more.

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

Cura's new issue connects the different sections with one common thread: the machine as a possibility or as a threat. The magazine also extends its “Inside the Cover” section with three essays on this issue's cover artist, Max Hooper Schneider. Plus: Sam Lewitt on Michael Asher's 1991 exhibition at Le Consortium in Dijon ; interviews with John Bock, Korakrit Arunanondchai, Kenric McDowell, Bailey Scieszka ; David Horvitz in conversation with Margot Norton ; Nicolas Deshayes' sculptures ; Pakui Hardware ; Haroon Mirza's visual essay ; Bruno Zhu…

Interviews with Frieda Toranzo Jaeger, Rana Hamadeh, Aria Dean, Barbara Chase-Riboud, Beatriz Santiago Muñoz, Lin Ke, Yasunao Tone, Timothée Calame, Sara Deraedt; round-table on the relations between art, dance, and theater; Yann Chateigné's notes on time; Kathy Noble on institutional trauma; Jens Hoffmann, Candice Hopkins, Chus Martínez, and Ingo Niermann on issues related to cultural appropriation; Sofia Stevi by Andrew Berardini; conversation with Liz Craft and Stanya Kahn; the use of augmented reality in arts; round-table on performance studies; Hendrik Folkerts on monumentalization.

Etel Adnan, Dike Blair, Thomas Huber, Dorothy Iannone, Mathias Kiss, Tiziana La Melia, Stéphane Lecomte, Jan Melka, Mario Milizia, Francis Picabia, Vimala Pons, Laure Prouvost, Louise Sartor, Ashley Hans Scheirl, Alice Wietzel...

This issue explores the vast regions of lightness with an ensemble of textual and visual contributions by artists, historians, scientifics, and writers.

Harmony Korine, Tokyo collective Chim Pom, Lascaux 4, the revival of a Basque village, portraits of Théo Mercier and Mohamed El Khatib, interviews with SMITH, David Dufresne, Tania Bruguera, and Karim Moussaoui, Braguino by Clément Cogitore, analysis, exhibitions, and portfolios by Hannah Whitaker and Stefano Marchionini.

Four artistic destinies at the heart of the Tiananmen Square protests; Hudson Yards, Manhattan; Todd Haynes's Wonderstruck; London's museums and the British gay history; American women artists in the Age of Trump; Paris's museums get hooked on all things biological; Mexico City artists beyond modern traditions; interviews with Camille Henrot and Liz Glynn; portfolio by Li Ran; “Negative” section with the Seagram building's new restaurants, a farewell to Colette, Gustavo Dudamel, and more.

Interviews with Amit Dutta, Lisa Sanditz, Nina Katchadourian, Anoka Faruqee & Michelle Grabner, Suzanne Bocanegra, Adrienne Truscott, Marcus Steinweg, Mike Wallace, Lucy Ives; portfolio by Renee Gladman; a text by Kristen Gleason, the winner of BOMB's 2017 Fiction Contest; an essay by Jennifer Kabat; Édouard Louis's “New York diary”; books and shows reviews, and more.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

The 1rst issue of the transversal and transgressive magazine.

Kiev, refuge of Donbass artists; the spoken-word scene in London; the Choreographic Coding Labs; Porto's artistic scene; interview with Roger Ballen; electro music artist Actress; writer Charles Robinson; Charlemagne Palestine; autopilot and creation; Europe, mon Amour, by the Birgit Ensemble; portfolio by Richard J.Butler and Harvey Benge.

Researcher Juliette Volcler on sound in public space; on identities and influences in music; an essay by Kasper Toeplitz; carte blanche to Patrick Renaud; Summer festivals, disc reviews, and more.

10 exhibition reviews, 7 interviews, 10 exhibitions in pictures, some artists special projects, and the chronicles (Raymond Pettibon, Herzog & de Meuron, Wade Guyton, Bruno Serralongue, Richard Phillips, Suzanne Koller, Bruno Gironcoli, Joe Bradley, Bertrand Lavier, John Currin, Marina Faust…).

Special anniversary edition, featuring 50 monographic stories from the magazine's past issues, in addition to a 30+page commissioned project by conceptual artist Martine Syms.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

This 2nd issue is dedicated thematically to the conjunctive binding of individuals within groups, collectives and swarms in the interplay between art and society, utopia and theater (with Artur Żmijewski, Mohamed Bourouissa, Jelili Atiku, Aernout Mik, Alexander García Düttmann, Mário Gomes, Eric Baudelaire, Agnieszka Kurant, Beni Bischof, Public Movement, Ann Cotten, Diane Williams, Stephen Barber, Clémentine Deliss, Milo Rau).

The magazine of Palais de Tokyo is devoting its issue # 25 to the exhibition “Le Rêve des formes” (The Dream of Forms), dedicated to the relations between science and contemporary art. The exhibition is presented at the Palais de Tokyo from June 14 to September 10, 2017, and organised on the occasion of the twentieth birthday of Le Fresnoy – Studio National des Arts Contemporains.

Fashion designer Rei Kawakubo's solo show at the Metropolitan Museum of Art; interview with William Pope.L on the occasion of his sound installation/performance at Documenta 14; Lindsay Lohan as a cultural phenomenon; interview with Pier Paolo Calzolari; the enigmatic art of Rodrigo Hernández; the choreography of Ligia Lewis; the filmmaking of Park Chan-kyong; exhibition reviews.

The fourth issue of Art Against Art is looking at the change in temperature that has occured since last fall and the challenges art faces such as the rise in nativism in the West, the naissance of the influence of A.I. in art and the growing influence of the Chinese art market.

Modernist master Florine Stettheimer; South Korea's gangster cinema; saving the National Endowment for the Arts; interviews with Charline Von Heyl and Christodoulos Panayiotou; “Negative” section with Rei Kawakubo, Eurovision, Macron, and more; reviews and summer's agenda; portfolio by Jane Chang Mi…

Sculpture in a Digital World: “Digital Fabrications”; “Assembling the Post-Fordist Social Factory”; “Sculptors And Technology: Beyond The Digital”; Null Object: Gustav Metzger Thinks About Nothing by London Fieldworks; Jesse Colin Jackson's Marching Cubes; the 3D Additivist Cookbook; interviews with Grégory Chatonsky & Dominique Sirois, Erika Lincoln; the 6th edition of La Littorale; reviews and selected publications…

The future of the exhibition space; virtual reality; Documenta 14 in Athens; Liam Gillick on Rirkrit Tiravanija's “untitled (1992) free”; Q&A with Benjamin H. Bratton, Adriana Lara, and Rózca Farkas; Karen Kilimnik by Barry Schwabsky; images contributed by Elad Lassry, Sophie von Hellermann, GCC, Alex Da Corte; reviews from Austria, Berlin, Switzerland, Brussels, Paris, New York, and Los Angeles…

A special issue on “The Politics of Everyday Life,” which asks, how does the political reveal itself in quotidian experience—its images, its forms, its events? Featuring responses by Silvia Federici, Simon Critchley, Julie Ault, Mariel O. Wilson, and others; a roundtable on cultural appropriation; Mimi Thi Nguyen on the politics of the hijab; plus Summer reading recommendations, Peter Eleey on Trisha Brown, Murtaza Vali on the Sharjah Biennial, Luke Skrebowski on Robert Rauschenberg, and much more.

Cura #25 Summer issue celebrates its special edition, dedicated to 25 (+1) outstanding protagonists of the contemporary art scene, selected among the most interesting female artists of the new generation. A collectible and celebratory issue!