Contemporary art

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

Comprehensive monograph.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

First monograph.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

A reflection on our present, through a series of portraits of contemporary artists.

A critical introduction to the life and work of Yugoslav modernist and conceptual art's foremost exponent Ješa Denegri.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

A new field of counter-investigation across journalism, human rights, art and law.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry.

A tribute to Derek Jarman manifold and vital practice.

The revelatory world of Emma Reyes.

A tribute to Derek Jarman manifold and vital practice.

The revelatory world of Emma Reyes.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises.

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

Monograph dedicated to Caroline Rennequin's flower paintings (gouaches on Indian paper), with texts by Yves Michaud and Émilie Ovaere-Corthay.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

An essay-length book arguing for the autonomy of art in the present.

Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

London-based artist Faye Wei Wei’s debut monograph.

For its 24th volume, The Drawer brings together a selection of drawings by some thirty final-year students from French and international art schools.

A transdisciplinary reevaluation of the dialogical character of humanism.

Art, empathy and political solidarity.

The first issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

First monograph on Gina Proenza's suggestive and sculptural work.

First monograph on Gina Proenza's suggestive and sculptural work.

Parker and Pollock's seminal volume of feminist art history.

A series of “Bad Paintings” by the Geneva-based artist.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

What gets counted within the category of heritage, and who gets to do the counting?

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.