Contemporary art

Reference monograph.

This special second-edition monograph showcases a comprehensive selection of Nicolodi's oeuvre, presenting his work in the most compelling way to date.

Catalogue.

Unreleased tapes from the 70s and 80s.

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

An art project articulated around the issue of migration and diasporas from the Global South that sees the Mediterranean transformed into a place of waiting, suspension, and passing away, a solid space of embodying absence.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

New approaches to Iannone's unique work.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

What gets counted within the category of heritage, and who gets to do the counting?

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners.

How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

In this critical biography, Omar Kholeif offers an introductory field guide to Magda Stawarska's practice.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade.

Interviews with Michel Dector et Jean-Baptiste Farkas, Alice Dourlen, Apichatpong Weerasethakul, Jim O'Rourke, Steven Stapleton, Andrea Laszlo De Simone; Johanna Went and Dame Darcy by Nicolas Ballet; Mickael Vis; Yûichi Yokoyama; SMITH; Marcel Broodthaers; Current 93; IKHÉA©SERVICES; Alan Dunn; Oskar Schlemmer; Blaine L. Reininger; Martin Le Chevallier; Ludovic Chemarin©...

Catalogue of a historical exibition curated by artist Anna Sew Hoy, with support from ICA LA Executive Director Anne Ellegood, Scratching at the Moon presents an intergenerational group of thirteen leading artists in the Asian American community who currently live and work in Los Angeles or have strong ties to the city.

The first issue of Flash Art's yearly review dedicated to design at large and an in-depth analysis of market relevant issues, titled Anti Composition, provides an aesthetical upgrade at world scale sources and phenomena.

An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

A reflection on the role of art in the interconnected struggles for climate and ecological justice.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

This publication documents the organization of fifty-two banquets (2008-2023) as artistic practice and "social sculpture"

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

A contemporary artistic reinterpretation of a vanished craft.

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

The eleventh issue of the biannual journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts: Jeffrey Perkins, Sophie Lapalu, Billy Sullivan, Liz Magor, Moyra Davey, Zoe Beloff, Paul Thek, a long previously unpublished conversation between Paul McCarthy and Sabrina Tarasoff...

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

A collaboration between Toilet Paper and American photographer and filmmaker Alex Prager.

Two monumental pieces for flutes and additional voices.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.