Takako Saito

Takako Saito (born 1929) is a Japanese artist closely related with Fluxus. In the 1950s, she participated in the “Creative Art Education” movement where she met later Fluxus fellow Ay-O. In 1963, she moved to New York where she was introduced to George Maciunas and became an important member of the Fluxus movement. She remained part of it throughout the 1960s and 1970s and collaborated with numerous Fluxus artists. Since 1968, Saito has been living mostly in Europe. In 1979, she moved to Germany and now lives in Düsseldorf.
Much of her work revolves around everyday life and everyday things, to which she adds her unique artistic gesture through small but deliberate and carefully crafted interventions. Many of her pieces involve the participation of viewers and only become complete when the audience fills a co-designing role. A sense of playfulness is evident throughout her work, seen in many of her performances and particularly in her various “free” chess games that come in a multitude of different shapes and moreover display a high level of craftsmanship.
In line with her general artistic approach, Saito recorded a number of musical pieces between 1982 and 1992. Retrospectively, she called these recordings “Spontaneous Music” because they involved very simple actions with voice and everyday objects that happened spontaneously. Some recordings have become part of sound pieces in her exhibition “Games” at Emily Harvey Gallery in New York in 1990, but none of them have been released so far. A selection from the recordings is published here for the first time.

(external link : takakosaito.com)
Takako Saito - Space Music (vinyl LP)
Edition Telemark
Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.
Takako Saito - Spontaneous Music (vinyl LP)
Edition Telemark
sold out
This double LP is released in an edition of 300 and includes two solo vocal pieces by Flux artist Takako Saito, two more vocal pieces in which Saito's voice interacts with the sounds of an everyday event, and two non-vocal sound pieces. It is housed in a full-color sleeve and includes one insert with liner notes by Saito, a poster, and four postcards.

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