Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

A reflection on our present, through a series of portraits of contemporary artists.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

An inventory of the controversies surrounding the issue of geoengineering, as a set of the large-scale intervention into the earth's natural systems attempting to counter the adverse effects of climate change.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

Nature Never Loses surveys six decades of Carl Cheng's prescient, genre-defying work and accompanies the eponymous traveling exhibition organized by the Contemporary Austin. It is the definitive guide to Cheng's career, including a detailed overview of his most impressive works and an abundance of never-before-seen archival material.

The first collection by award-winning performance artist/poet Justin Chin.

A collection of critical, polemic, and personal essays composed in the past decade.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

How a pre-architectural world became a central object of study by architectural historians and architects in the aftermath of world historical events.

A collection of essays about the end of the world and its representation in XXI-century culture / a manifesto for the imagination of another relationship with the end.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

New monograph of the Beninese painter.

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

Jean Sabrier's catalogue raisonné.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create another pedagogical turning point.

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

Collected texts.

Catalogue.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

A dialogue between the creations of the two designers.

A dialogue between the creations of the two designers.

Pivot is an experimental, book-length poem exploring the profound act of "turning", with the Haitian Revolution as its cornerstone.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.