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Signature Strengths
Sternberg Press [see all titles] Monographs and artists' books [see all titles]
  Signature Strengths
Edited by Boy Vereecken.
Introduction by Mark Mann.

Graphic design: Boy Vereecken.

Published with La Loge, Brussels.
published in October 2016
English edition
19,5 x 26,5 cm (softcover)
112 pages (8 color ill.)
€15.00
ISBN: 978-3-95679-258-8
EAN: 9783956792588
in stock
 
Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.
When first introduced, mass-market paperbacks sparked a publishing revolution. Critics despised them as lowbrow diversions, which did not impact their popularity. But the business model barely worked. Prices were so low, the books needed to sell in incredible numbers to make a profit. An industry norm emerged to pump up sales, whereby most of the novels were wrapped with images of women in provocative settings and states of undress. Many readers were duly provoked to purchase, but this recurring allure eventually lost its sway.
Simultaneously, an opposing theme of essentialism was asserting itself in grocery stores. The No Frills brand presented goods in unadorned packaging. It was as if the very intention to sell had been excised from the label's straightforward design and terse declaration of contents—SALAD DRESSING, FRUIT PRESERVES, LAUNDRY DETERGENT. No Frills stripped the cloying appeal of traditional marketing and replaced it with a candid offering of canned beets and corned beef, pure and plain.
Inspired by this direct approach, Terry Bisson and art director Frank Kozelek developed the No-Frills book series in the early 1980s. Signature Strengths, conceived and edited by Boy Vereecken, reproduces in full the four books published in the series—Western, Mystery, Science Fiction, and Romance—as well as critical evaluations of the fascinating experimental endeavor in genre writing and mass-market publishing.