Concrete art

This publication, conceived by Peter Downsbrough, includes three unpublished texts and constitutes a real artist's book. A work on the notion of position and centring which questions the relationship between space and language.

Recent works.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

A video triptych.

Honegger' eclectic writings since 50 years.

An urban journey.

Reference monograph.

Artist's book: an invitation to travel by way of a mappemonde punctuated by lines and photographs of city spaces.

Artist's book (photographs taken on the road).

A b/w movie realized in digital video, on the road and between machines.

Artist's book.

Unpublished story illustrated with a virtual work in original signed lithograph.

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text, original silkscreen enhanced by hand and signed.

Unpublished text, signed original screenprint.

The series of engravings A Sheet of Paper, with which Rémy Zaugg develops his reflection on the exchange of the glance between the spectator and the work

Preliminary graphic designs for paintings.

Catalogue.

Paintings, photographies of two exhibitions, exhibitions plans.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

Catalogue / artist's book.

Artist's book based on a series of photos of advertising vitrines around the erotic-dance scene located in Zurich's red-light district.

Exhaustive monograph

The catalogue raisonné of Marcia Hafif's works during the Italian period, with about 500 paintings and drawings from the 70's, with a long interview and an essay by Eric de Chassey: an indispensable tool for anyone who, today, wishes to understand the evolution of occidental abstraction, through this woman painter figure, emblematic of the era's mutations.

Chronological catalogue with 100 major works and an essay by Bernadette Walter.

Monograph on the berliner artist / musician (Noto / Alva Noto / Raster Noton).

Monograph / catalogue documenting recent, actual and future exhibitions dedicated to Mosset's latest works or to a whole radical and minimalist œuvre.

A translation of practice.

Olivier Mosset's writings and discussions.

A project by the Swiss artist for his exhibition at Pasqu'Art in Bienne.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Exhibition catalogue.

A book that brings together 150 portraits of artists when they were "about" five years old.