France

Monograph dedicated to the famous designer's early work.

The portraits taken by the French photographer between 1990 and 2010 capture the essence of hip-hop and the street culture of African-American and Hispanic New York.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

Photographer Jean-Vincent Simonet introduces a new photobook that captures the transforming world of Kitengela Glass, an artistic community in the south of Nairobi, Kenya.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

A booklet containing two musical pieces by artist Grégoire Motte and composer Gabriel Mattei.

Michel Guet's intellectual diary, from his commitment to "Banalytique" (an experimental movement that emerged from French post-situationnism in the early 1980s in response to the triumph of the "colonization of reality by market value" and the injunctions to make work totally profitable) to the social critique of art and the vertigo of a planet on fire.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

A dialogue between two avant-garde figures, one poetic, the other musical.

Two short stories by Xavier Forneret (1809-1884), set to music by Nurse With Wound.

Writings, manuscripts, bibliography, index.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

An invitation to rediscover the diversity of 20th-century Arab modernism and to take a fresh look at the history of art scenes still little known in Europe, focusing on the relationship between Arab artists and Paris throughout the last century.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

A limited-edition box containing a booklet poem, a photo plate and a pocket mirror.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

An essay by Yoann Sarrat on two works by Jean-François Bory and Kathy Acker.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

A polyphonic, hybrid work, somewhere between a fine architectural book and a scientific essay, the result of research into contemporary forms of insulation.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Photographic drift in Saint-Denis in the footsteps of the ghost of Osugi Sakae, Japanese anarchist-activist who would have held a speech there 100 years ago. A way for artists to put the urban reality of le Grand Paris under pressure.

Retrospective monograph.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

Winter Family's 4th album tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Winter Family's 4th album tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Issue 38 of the magazine of the Palais de Tokyo calls upon ancestries, be they intimate or political, transgenerational and historical, human or more-than-human, symbolic or material.

An edition like an archaeology of our more or less contemporary iconography of bread. A lacunary and subjective encyclopedia that reflects its presence in our lives and its political, social, economic, and aesthetic evolutions (artist's book).