Latin America

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

Artist's book.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

Reference trilingual monograph / a conceptual art's discourse around Hélio Oiticica's parangolés.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.

A series of one-hundred masks constructed of everyday materials by the Mexican artist, featuring texts by writer and poet Luigi Amara.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

A collection of texts by fifteen contemporary Brazilian authors who approach the notions of care and privilege from a transfeminist, anti-racist and decolonial critical perspective.

Discographisme maison / Homemade record sleeves is a project collecting and assembling a series of record sleeves. They were all reworked and customized by unknown artists who used the original cover as a support or a source of inspiration... This collection echoes an intimate, marginal and overlooked experience, which can be replaced in the history of iconography and pop music.

This monograph dedicated to Ivan Argote presents the richness of the Colombian artist's work. Using photography, film, sculpture, as well as painting, he invites us to rethink the links between the intimate and the political and to question the proponents of dominant ideologies.

This anthology gathers some of the most emblematic authors of the Brazilian poetic modernity, in its widest amplitude and with the intractable will to reveal its incessant reinvention.

Meditations on cinema and method.

Meditations on cinema and method.

A survey of the pictorial work of the Afro-Brazilian artist, writer and activist, with fifteen essays.

An overview of the work of the Chilean-born artist, through numerous reproductions, a conversation between Enrique Ramírez and Marta Gili and two essays by Louise Déry and Nelly Richard.

A story that explores how power is enacted on and through the body—the physical, the social, and the political.

This first monograph dedicated to Paloma Bosquê addresses the Brazilian artist's frustration with the visual as key to understanding of what lies beyond language, of that matter that can be perceived, but not rationalized.

First monograph.

A conversation about science fiction and robotics, ecology and gender, Indigenous Futurisms and what it means to be human.

A poetic, "necropolitical" view of sociality in Mexico.

How to teach art / can we become an artist?

An anthology of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

A collection of articles and essays around the Chilean popular rebellion initiated in 2019.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

Artist book / first comprehensive monograph.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

An overview of the wide-ranging oeuvre of paintings and sculptures by the Chilean-born Swiss-based artist.

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

A series of images of Villa Santo Sospir in Saint-Jean-Cap-Ferrat, the "Tattooed Villa" transformed into an artwork by Jean Cocteau, whose Brazilian photographer Mauro Restiffe reveals the hidden details during a residency.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

An in-depth research project by Elena Mazzi in dialogue with the Mapuche spiritual leader, silversmith and activist, Mauro Millán and Argentinean artist, Eduardo Molinari, about the cultural resistance of the Mapuche people to neo-colonialism in Chile.

This book is a documented and illustrated manual of the turntablism practices developed by Maria Chávez over many years. It encourages experimentation and personal research through numerous examples and detailed instructions.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Aesthetic practices and human rights in the global south.

A split LP from two leading voices in electroacoustic music.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

Olaf Holzapfel's and Guido Yannitto's textile works.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

This publication tells of the journey of a photographic research of the origins of cumbia music along the lower Magdalena river in Colombia.