Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

9 interviews (Carroll Dunham, Genesis Belanger, Jonathan Gardner, Djamel Klouche, Yorgos Sapountzis, Elizabeth Glaessner...), 9 exhibitions and places in pictures (Dominique Gonzalez-Foerster, Pierre Huyghe, César, Sarah Lucas, Richard Hamilton's house in Cadaqués...), some artists special projects and texts (Ashley Bickerton, Sean Landers, Lily Van der Stokker, Peter Halley, Heidi Bucher), exhibition reviews, and chronicles.

Azimuts #54 reports on a selection of design research surveys that were carried out in Saint-Étienne between 2015 and 2022 by various researchers and collectives in collaboration with artists and academics in relation to this territory, their terrain.

Released in Sub Rosas Early Electronic series, Reinhold Weber's Complete Electronic & Phonetic Works 1968-1974.

This richly illustrated volume offers the occasion to discover Tomoo Gokita's latest body of work, featuring his newest large-scale paintings and a number of never-before-seen works made under lockdown during the pandemic.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

A collective research on the memory of the places to the test of wars and conflicts through representations of landscapes, as they are reworked by means of contemporary art, cinema or literature.

The ecologies of experimental cinema in the Anthropocene age.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program "without students or teachers."

Through Kant, Nietzsche, and Heidegger, this seminar traces the development of the relation between the will and the law as self-given.

The relation between being and acting and the principle of anarchy in the philosophy of Martin Heidegger.

The catalogue of the first edition of the Montpellier Biennale.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

The first album by Frank Bretschneider and Jan Jelinek's joint project, produced from improvised sessions on modular systems between 2016 and 2020.

A graphic novel of intimate and fantastic horror.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intents, in this first book, to develop a writing that transcends the concept of genre—or gender.

Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

An unusually intimate, close-quarters account of daily life in postwar communist countries.

A previously unseen trove of Kenyan studio portraits, expressing a photographer's vision and a city's lively identity.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

First monograph.

A singular history of cultural encounters between Italy and Denmark.

Conversations and essays that question the twisted and oppressive climate in a world where true decolonization has yet to begin.

An artistic project about the processes of dehumanization that are are taking place in Europe and possible ways for a re-humanization.

Wicked Little Town gathers more than fifty artists and critical thinkers traversing trans-temporal imaginations of resistance, unruliness, and non-compliance across genders, abilities and national borders.

A collection of essays investigating predicaments of rootedness and rootlessness and notions of belonging and of displacement across different geographical and epistemological coordinates.

An extensive and comprehensive polyphonic exploration of the work of The Otolith Group.

The restitution of a research and production program (Chair "Young Creation and the Sacred") conducted at the Ecole des Arts Déco by students, teachers and a number of invited artists and thinkers on the question of the sacred in contemporary creation.

For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form.