english version / version française
Peter Friedl [see all titles]
Casino Luxembourg [see all titles]
Peter Friedl <!---->
Texts by Roger M. Buergel, Peter Friedl, Alison Gingeras, Thomas Mulcaire, Eva Schmidt.

Published by Revolver.
published in 2001
bilingual edition (English / German)
16 x 24 cm (hardcover)
192 pages (color & b/w ill.)
€25.00 €12.50
(special offer)
ISBN: 978-3-934823-49-5
EAN: 9783934823495
in stock
 
"How can artistic practice be redefined as a strategy to disarm power, in its widest sense? How does artistic practice relate to institutional practice in its various manifestations: exhibition, mediation, publication and distribution? What does the concept 'genre' mean today? How much autonomy is possible or even necessary?"
These are the fundamental questions which Peter Friedl confronts in his practice. His works refuse stylistic or formal categorization and instead take the form of "conceptual, aesthetic acts" which offer diverse models to help finds answers to these questions.
Ever since Peter Friedl (born 1960 in Oberneukirchen, Austria, lives and works in Berlin and New York) first entered the international contemporary art scene in the early 1990s, his artistic practice has continually challenged the art world. As “conceptual acts,” his works take on the role of models: as exemplary articulations and solutions of aesthetic problems involving political and historical consciousness. With them, Friedl continues to transgress the borders of art, a process begun by the Conceptual Art of the 1960s, opening contemporary art to its social, economic, and institutional conditions. “Overcoming the dictate of visibility, without using text as a substitute,” is how Friedl outlines his artistic program.
Friedl has participated in Documenta X and XII (1997, 2007); the 48th Venice Biennale (1999); the 3rd Berlin Biennial for Contemporary Art (2004); the 2nd International Biennial of Contemporary Art, Seville (2006); Manifesta 7, Trento (2008); the 7th Gwangju Biennale (2008); the 28th Bienal de São Paulo (2008), and the Tirana International Contemporary Art Biennial (2009). His solo exhibitions include “Blow Job” at Extra City Kunsthal Antwerpen (2008); “Working” at Kunsthalle Basel (2008); the retrospective survey “Work 1964–2006” at Museu d'Art Contemporani de Barcelona, Miami Art Central, and Musée d'Art Contemporain, Marseille (2006–07); and “Out of the Shadows” at Witte de With, Center for Contemporary Art, Rotterdam (2004).