A wide-ranging study of the visual and theoretical practice of
Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and
textile production in the European and American women's avant-gardes.
Ida Soulard has a PhD in art history and is an independent curator, an artistic director and a researcher. She is co-director of Glass Bead, an online research platform and art journal. She is editor of
Du tissage (Les presses du réel, 2021), the French edition of Anni Albers' iconic 1965 book.
