Textile

The multiple meanings and uses of textiles in art, culture and society.

An overview of the use of textile in contemporary visual arts around the world.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

Retrospective monograph: a journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

The first monographic overview publication of the work of Iranian artist Farkhondeh Shahroudi.

Four artist's posters.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

New monograph.

A work engaging with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing weaving draft notation into graphic scores and rhythmic sequencing.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

In Reto Pulfer's novel, the artist draws a rich picture of a community of hybrid living beings. Characters and scenes from the novel also appear in the works and exhibitions of the artist. A multi-layered cosmos of links emerges and takes the reader into a parallel universe full of references to our current relationship with nature.

A dive into the world and studio of French artist Adrien Vescovi, whose textile compositions are thought and composed like paintings, both monumental and vulnerable, subject to the natural elements and impregnated with the places where they are exposed.

The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.

Costumes, the second book of images produced from the plates in isdaT's old books collection, focuses on the representation of clothing and ornaments. With a 21st century perspective, the edition explores an exceptional public heritage.

A film by Gilles Coudert and Damien Faure about the stained glass windows made by Kimsooja for the Metz Cathedral: a dialogue between contemporary art and cultural heritage and between Eastern and Western thought.

The widest and most complete overview of Cinzia Ruggeri's career to date.

The second issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to weaving.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

Four artist's posters.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

Retrospective monograph.

The Italian edition of Flaubert's account of his trip to Egypt, illustrated by Nathalie du Pasquier.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

Artist's book / monograph.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Olaf Holzapfel's and Guido Yannitto's textile works.

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

First comprehensive monograph.

Artist's book.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

New monograph.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.